yes, i also hate listening to recordings of tipsy's voice, it blows. his DJ sets too, totally suck when they are recorded, i agree... ;P

DJ Sarcastic

+

John Acquaviva

+

Arsen

Sunday July 29 !!

alienata was blowing pretty hard, but axel rocked it up good n right. lots of nice minimal tek and tekhaus, with some kylie milogue in there when he started getting drunk, and wrapped it all up with a deep dose of radio slave... good shit. i heard upbeat was good 2 but i missed it. anyways.

July 29th: John Acquaviva w/ Sarcastic, Arsen ++ @ Piknic, do this!
s

according to my sources these tracks were used for Passin' Me by:

Skull Snaps
"It's a New Day" 1973
sampled for drums


Ayers, Roy
"The Third Eye" 1976

Jones, Quincy
"Summer in the City"

Russ, Eddie
"Hill Where the Lord Hides"
1974



drums from Weather Report's
"125nd Street Congress" (ownage!)


Hendrix, Jimi
"Are You Experienced" (muted guitar sound)



Whodini's "Friends" (1984)

and definitely agreet, the 11 minute long SS season of the witch pwns donovans verison but hey, he fucking wrote it so.. i remember buying donovan's greatest hits on cassette like fifteen years ago, that same night i did acid for the first time and ended up lying in bed for like fifteen hours listening to donovan over and over-obviously convinced that it was the best fucking shit EVER. so i'm kinda partial to the original .

ya endo almost fell off the top floor @ back to the groove! i was worried, then the cops showed up and busted the whole thing. like it was unsafe, fuck you! ;;;

i still wanna know how that random Super Session fact came in. great record. season of the witch is a cover of donovan's original. dopeness.

endo plays 1230-2
let's do dis!

it's obviously personal but in fact i really like amon's newer productions, which are completely NON dancefloor, and i'm always frustrated by how manic and overdone his dj sets are.. in the end i think tobin's errr, appeal definitely illustrates the chasm between "dj" and "producer".

snoozebar!

DJ ENDO BIOGRAPHY:

With over 8 years experience behind the decks, and a lifetime background in music, Endo has made his name known worldwide and has become of the most demanded breaks DJ's in the industry, and a breaks ambassador to the world.

From smokey warehouse raves, to small clubs, to massive outdoor festivals, Endo always brings it like none other with his nonstop soundtrack of breaks from all over the spectrum.

On top of headlining raves, clubs and festivals all over the globe, Endo is also a hometown legend in Vermont for his Radio Show on 90.1 WRUV FM, "Graveyard Breaks", where he would do up to 8 hour marathon shows every week from midnight until 8AM, showing up with a carload of records and mixing non-stop and rocking the airwaves until the morning.

Besides DJing full time, Endo recently graduated from the top Music School in the USA, Berklee College Of Music, where he was classically trained and majored in Music Synthesis and Electronic Music Production. Endo used his classical training to create his own system of Harmonic DJ Mixing, which is the music theory behind Endo's party rocking. Endo's harmonic mixing is very evident in his latest DJ mixes.

In his years of DJing Endo has played alongside some of the most respected names in the Electronic Music industry such as: DJ Craze, Roc Raida, Snoop Doggy Dogg, DJ Monk from Rabbit in the Moon, DJ Hyper, Aut0bots, Screwface, Napt, Deekline & Wizard, Simply Jeff, J-break, DJ Quest, Jackyl and Hyde, Deep Impact, Ed 209, Control Z, Goldie, Hive, DJ Icey, Baby Anne, General Midi, Ried Speed, Influenza, Bassnectar, Danny the Wildchild, Donald Glaude, DJ Funk, Anabolic Frolic, Adam X, Space Girl, D:Fuse, Micro, John B, Lenny Dee, Delta 9, Rob Gee, Dave the Drummer, and many more.

Keep an eye out for new DJ Endo mixes in the near future as well as original productions!

For more info about DJ Endo visit [ www.djendo.com ] and [ www.myspace.com ]

PUT YOUR HEAD IN THE SPEAKER

COME CLOSER

[ www.rave.ca ]

sarcastic playin vinyls, Mars Hill and the Revealers jammin it up at jello bar tonight, good tunes, good vibes @ plug n play!

wow, that was a fucking great experience. piknic was winked the fuck out. four hours of seamlessly blended techno, house and minimal, repetitive shit, vocal shit, massive buildups, a bit of everything and for every taste all beautifully mixed together + then a 30 minute encore of PURE fucking old shit, early 90s classics, wink's laugh track and higher states, you are the one, his sting remix (gay), bits of Are you there and Size 9, and classic old bombs of the era like jack your body, i'll house you, plastikman's helicopter, and damn, i thought it was great.

ayoye klein renvoie moi le nouveau

10-1130djEVER
1130-115 axelklein vs SCzarcastic
115-3 kosa vs tehDJomnI


do this.


!!!! FREE BEFORE 11 PM !!!!!

cheers dude.
damn youz a busy cat yoself!
lache pas!
ttyl.

m


Mike Mendell

Agent/Executive Producer

Global NTT Talent Management/Bookings/Productions

Mobile: 514.572.1223

Office: 514.932.4452

Fax: 514.932.4452

email: globalntt@yahoo.ca

email: globalntt@gmail.com

web: [ www.globalntt.com ]





Upcoming DJ Sarcastic dates include (more info below)

>>>>Jeudi 21 Juin (Fete De La Musique) Jeudis Mix soiree tag team avec:
DJ Sarcastic vs. Axel Klein, Omni vs Sean Kosa, DJ Ever @ Saphir, 3699 St-Laurent, 10pm-3am GRATUIT AVANT 23 HRS, drink specials all night

>>>>Tuesday June 26 @ Plug & Play alongside Mars Hill (live) and the Revealers (live) @ Jello Bar, 151 Ontario E.

>>>>Sunday July 29 @ Piknic Electronic w/ John Acquaviva @ Parc Jean Drapeau. info: [ www.piknicelectronik.com ]


...see below for information about all artists , flyers, and links to download/hear mixes





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The Fête de la Musique, also known as World Music Day is a festival taking place on June 21 , the summer solstice. It began in France and has since spread to Belgium, Britain, Luxembourg , Germany, Switzerland, Israel (in Tel-Aviv), China , India, Lebanon, Malaysia, Morocco, Pakistan and other countries. The idea was conceived by French Minister of Culture Jack Lang in 1981 and first took place in 1982 . It is the occasion of a mass celebration which has grown more and more successful over the last two decades. Its purpose is to promote music in two ways: Amateur musicians are encouraged to perform in the streets. The slogan Faites de la musique (Make music), a homophone of Fête de la Musique, is used to promote this goal... and many free concerts are organized, making all genres of music accessible to the public. This is one of the only nights in the year where, under French law, there is no sound restriction at nighttime. One can party on without being bothered by neighbors calling the police.

La Fête de la Musique a lieu à travers le monde le 21 juin (premier jour de l' été de chaque année). Elle est imaginée en 1981 par Maurice Fleuret, et popularisée par Jack Lang alors ministre de la culture français. Sa première édition a lieu le 21 juin 1982. C'est l'occasion d'une liesse populaire et la manifestation connaît un succès croissant au cours des décennies suivantes. Le 21 juin a été choisi car ce jour est le premier jour d'été et aussi le solstice d'été (le jour le plus long de l'année) : cette date symbolise ainsi le sacre de la nature à travers cette journée festive, à l'image des fêtes païennes dédiées à la nature ou aux moissons durant l'Antiquité (fêtes de la Saint-Jean). Elle a pour vocation de promouvoir la musique de deux façons. Sous le slogan homophone à son nom, faites de la musique, elle encourage les musiciens amateurs à se produire bénévolement dans les rues. Grâce à l'organisation de nombreux concerts gratuits, d'amateurs mais aussi de professionnels, elle permet à un public large d'accéder à des musiques de toutes sortes et origines ( musique classique, jazz, rock, world music, musique traditionnelle , etc.). La musique étant un vecteur de communication universel, cette fête s'est aujourd'hui complètement internationalisée : en moins de 15 ans, elle s'est diffusée dans 110 pays sur les 5 continents.
SO LET'S MAKE SOME MUSIC!! (and hopefully by 2008 Canada will also celebrate La Fete de la Musique every June 21st! )




Sarcastic [ www.level4productions.com ] [ www.myspace.com ] (Level 4, Wikkid Records)
Founder of Montreal-based underground electronic music pantheon Level 4 Productions, this amorphous being has contributed to the subculture's cabalistic causes on many levels for the past decade as label manager, DJ, producer, promoter and music critic. His love for the chugging repetitive nature of techno, acid house and hardcore genres remains informed by an early appreciation for hip-hop, stoner rock, jazz and psychedelia of all sorts. Equally at home behind two or three decks, Sarcastic's diversity as a DJ has allowed him to perform alongside many of his musical mentors: NYC's Frankie Bones, Detroit ghetto-tech's DJ Assault, Stockholm's Thomas Krome and Slobodan, London breakbeat stars Freestylers or Deekline, or minimal techno luminaries Deadbeat or Algorithm. Meanwhile Sarcastic's productions have ranged from minimal ( Something Strange is Happening Downtown) to maximal (Sarcastic's remix of Aiwa's Pharagonescia), garnishing rave reviews internationally. Upcoming releases include a remix for live drum 'n bass outfit Hardsteppers and EPs for France's Wikkid Records and Quebec City minimal label Pertin_nce. Sarcastic continues to run against the grain, eclipsing expectations and defying conventionality in the ongoing quest for communal and individual expression through sound and music.

FREE DOWNLOAD >>>> Sarcastic - Form Over Content CONTINUOUS MIX @ [ www.level4productions.com ]


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Sean Kosa
[ www.myspace.com ] Turbo Recordings
Sean began his sonic adventures in the womb, his mother a classically trained singer, was an active musician before and after his birth. His parents noticed his own obvious gift at a young age when, at just three months, his first words were actually the chorus of Ave Maria, sung with perfect intonation, timbre and pitch. In the words of his mother,"I was stunned!" Fast forward fifteen years; Sean is standing in front of his first amplifier holding a white Fender Stratocaster, a tidal wave of distortion and feedback cascading from the speaker. In a revelation that would forever change Sean's outlook on music he declared, "I am going electric." After playing in Toronto for the next five years he had felt that he was hitting a wall creatively and spiritually. But something special would soon emerge from the grey morass of Toronto pawn shops that would once again revitalise Sean's interest and faith in music. Working in a Scarborough heavy machine factory had allowed him to begin building a rudimentary studio in his parents basement. His purchase of a sampler/sequencer and analog synth was integral to his new vision for sound and composition. Although his sequenced drum patterns made him a pariah amongst his old friends and bandmates he stayed strong,"I don't care if you think it sounds gay," was his famous retort, "it became almost a mantra," said friend and ex-bandmate Mike Milosh. Because of this clausterphobic climate of non-acceptance that surrounded him, Sean left Toronto for Montreal in what some friends would later call, "his self-imposed period of exile.". This so-called exile would prove to be a very fruitful time for Sean. As he would put it, "beer is my monastery," and what a monastery it was! Only three years after arriving in Montreal he began working in the online gaming industry, doing various tasks such as sound design, voice overs, song composition and loop creation. Although exciting at first, Sean quickly grew weary of, as he would so often put it, "smoking the big corporate hog." The only way for Sean to stay sane was to focus on his own material, his D.J. work, his tone poems for modern dance choreographers, and his short lived fashion show sound treatments. Then, without warning, the dot com crash came and Sean was one of it's worst casualties, stripped of the financial success of his embryonic career he took a good look in the mirror, stuck his chin up and said, "I shall now create souvlaki." After a year of rolling pita Sean came to his senses, assembled some of his most beloved tracks on a CD and sent out a bunch of demo's. Then one day the phone rang, "Hello, it's Tiga, is Sean there?"
DJ Omni [ www.djomni.net ] (Akarien Productions, Elektrofone Records)
Passionate about music since he was born, it is his love for the electronic music which drew his attention to the role of the DJ and eventually led him to the rave scene. Now totalling seven years as a DJ in different types of events and venues, it is the Montreal electronic music scene that Omni calls his home. Very busy in this scene for the past three years, he was a resident of the Electro Shock events and played at Akarien Production's events like Electronic Avenue or, more recently, Electro-Chic. He has been seen mixing at major events like Ray Junior's Apocalypse 2005, Evolution Radar One 8 in the bunker and Intense 2006 in Quebec city. He has also played at the Overdose night at Parking nightclub, the biggest electro night in Montreal, and at Aria Nightclub. He is currently a resident DJ for Akarien Production's Electro Chic events at the SAT. Always evolving, DJ Omni's musical style is very eclectic, gathering influences from rock, industrial and even trance while mainly being recognised as Electro. The result is a musical exploration and a varied track selection that ensures a fresh sound night after night. In 2007, with already two releases on Elektrofone Records and a new contract with 4PlayTrax, you can expect some fresh releases from him in the near future.

FREE DOWNLOAD >>>> Omni and Axel Klein - The Session CONTINUOUS MIX @ [ www.djomni.net ]

Axel Klein [ www.axelklein.q-c.ca ] Akarien Productions
Hailing from Montreal, Canada and part of Akarien, Axel Klein was introduced to the party scene back in 1998 with artist like Scooter, Aquagen, Rollergirl and Green Court. This laid down the diverse roots that led himself to start collecting similar music. Doing this, this young talented DJ found himself learning a lot more about music and he started to lean more to the sounds of Trance. While collecting is favorite tracks and cd's from djs around the world, Axel came across a video of Ferry Corsten live at Innercity 1999, and was so impressed he wanted to do the same thing. Getting a job specifically to buy records and his first set of turntables, Axel Klein began to mix records just like the man he saw in the video. Mimiking his every move helped him to develop his own style, as he began to understand what exactly it was he was doing behind the decks. Taking this knowledge further, and being more and more influenced with the dutch sound of hard driving techno infused trance, Axel Klein began to expand his horizons, bending more to the fresh sound of Electro. At the present time, Axel Klein has been seen playing along side some of the best in the industry (such as Above & Beyond, Astral Projection, PBS aka Nick Roland & Dave Wright, Lori The HiFi Princess, Neophyte, Preach, Niklas Harding, just to name a few), and try to improve himself every time to bring something fresh to the scene playing the upfront Electro and Minimal. The fresh sound of Electro makes him want to destroy the dancefloor more than ever!

DjEver [ www.myspace.com ] (mix thursday debut!)

With over 15 years of experience, Houston born, DjEver has spun in nightclubs, lounges, art galleries, and private parties in both the USA and Canada. Always curious and unconventional, his love of all genres of music infuse his process and production with a deliberate and provocative vibe. DjEver has collaborated on productions with Lesbians on Ecstasy, John Wilson (Meat Beat Manifesto) and William Kontos. "Keep It Art"



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The Revealers [ www.myspace.com ]
The Revealers, in their current formation, have been together since the summer of 2006. The parts that make up The Revealers, however, have been active in the Montreal music scene for some time now. Basically they're made up of the trio of Mark, Nic and Anthony who've been playing together since 2004 and Rick from The Wells, a popular and well established Montreal group. Add beer, mix well, and you get this blend of hard driving rhythm based rock and soul with thick vocal harmonies that keeps people coming back for more. Nic and Anthony had played together in elementary school, and after all the sex, drugs, and detention had to go their separate ways until Nic and Mark were looking to form a band a few years ago. Nic suggested they call Tony and it was apparent right away that this would be a perfect fit. The three of them practised for a while in their laboratory and eventually started recording their sketches in studios around town, supplying the soundtrack to a television pilot about strippers and convincing themselves to take it to the stage and perform live. They landed a gig as the house band at Boodha Bar for open mic nights with Sebastien of Dead Messenger and Liquid. They started playing at Honey Martin around then as well. That formation went their separate ways a year later and one drunken evening Rick turned up at one of the last performances and joined in. The night went on and the timing was right, the very next week they began rehearsing. In their short time together, The Revealers have played at the Montreal Fringe Festival , various bars, had a memorable night at Rick's family's corn roast, and landed a weekly Saturday night gig at Honey Martin Pub – where they can still be found. The Revealers influences include Dylan, Neil young, the Rolling stones, The Band, The Beatles, Beck, Wilco, Uncle Tupelo, Townes Van Zandt, James Brown, David Bowie, Taj Mahal, the Grateful Dead, Booker T & the m.g's, Red Hot Chilli Peppers, the Police, Lou Reed, Gram Parsons, the Beastie boys, Mississippi John Hurt, Kings of Leon, Mogwai, Daniel Lanois, Outkast, Johnny Cash, Bullfrog, Link Wray, George Clinton, Bob Marley & the Wailers, Peter Tosh, Ben Harper & the innocent criminals, Garcia & Grisman, Doc Watson, Curtis Mayfield, The Clash, AC/DC, Howlin' Wolf, the Brian Jonestown Massacre, Led Zeppelin, Toots & the Maytals, Blind Melon, the Allman brothers, Christina Aguilera, alcohol, bowling, hockey , pictures, stories, our friends, women, everyday shit, once in a lifetime shit, the modern world, the ancient world, another world (the soap), Wal Mart, Oprah, and Jesus. Their ultimate goal is world domination. No one is safe. More communications to come….


Mars Hill [ www.myspace.com ]
Mars Hill Is a band that is not easy to label. The year was 2003 when the booming city of Charlottetown, Prince Edward Island gave birth to one of the most original and finest bands of the 21st century. YES, believe the hype. The music of Mars Hill is genre-defying, blending elements of reggae, folk, rock, jazz and hip hop. Ethereal keyboards, thick bass lines, jazzy drums and climatic trumpet give the band a psychedelic 1967 Venice, California feel-while the vocals of frontman Devin Casario haphazardly drag the bands sound through Kerouac's New York and Harrison's Rishikesh. Their debut album Oxcart was released in October 2004 just in time to garner an ECMA nomination for Alternative Recording of the Year at the 2005 ECMAs in Sydney, Nova Scotia. The album was engineered and produced by Darren Gallop, a member of Slowcoaster through his production company East Cape Productions. In May of 2006, Mars Hill released, "Fate Chance Luck Dance." A significant departure from their debut album-"Fate..." is a classic record that cuts across all musical genres while maintaining a coherant focus. The album was engineered by Adam Gallant and mixed by Darren Gallop. In October of 2006 Mars Hill relocated to Montreal where, "they shall proceed." Members of the band include: Devin Casario, vocals; Chloe Cork, trumpet/keyboards/vocals; Dean Dunsford, bass/guitar and David Weale on drums. Auxiliary members include: (but not limited to) Kevin Labchuk, Chris Corrigan, John Rehder, Sean Butler, Jon King and Joel Sutherland. Mars Hill are not only one of the best looking bands from the East Coast, they are also the most educated- courtesy of the Canadian government. Do your research. "The Sun Is Shinin' on Paradise Island"



!ONELOVE

woops. copy pasted! forget the shit at the top i guess. anyways... remember back in the day when, like, you could EDIT your posts??? damn, old times

Frankie Bones
/ artists (F)
Real Name: Frank Mitchell
Profile: Frankie Bones was the original and first DJ coming out of the Brooklyn Underground during the mid 80's with the vision of what was yet to come on the Global front of Electronic Dance Music culture. His early mission came in the many releases of Fourth Floor and Nugroove Records. In a time when timing meant everything, the buzz of his early works caught the attention of the rapidly growing scenesters in the London Orbital M25 raves during the Summer Of Love in 1988.

Those early "Bonesbreaks" vinyls led Frankie to playing at a rave called "Energy" which had 25,000 people. With the scene already reaching critical mass, Bones had set off a fierce bidding war between XL Recordings and Deconstruction Records which led to two albums by Musto & Bones.

The U.K. was very impressed by Frankie's unique Brooklyn style which was a raw-freestylish-bass-in-your-bass-bins-but-electro-bass style that was raw enough to keep the entire scene and industry at bay, waiting for the underground to bubble over. With gigs, remixing and production work pouring in by the truckload, Frankie ventured out into the early European scene playing key breaking parties in France, Holland, Italy, Denmark and Germany. Each country taking note of his style and wanting to license music.

From all the success in Europe, a booking would follow in Los Angeles based strictly on his success in Europe. In fact the L.A. promoters did not understand where the Brooklyn accent was coming from? But the West Coast scene had just started and Frankie held down Bi-Monthly events in London, L.A. and in NYC.

His vision of STORMrave made history. As well as Sonic Groove where he sold vinyl.
[ www.frankiebones.com ]
[ www.sonicgroove.com ]
Aliases: Bone-1, Bonesbreaks, Break Bones, Break Boys, The, Escape From Brooklyn, Frankie Mitchell, Lake Eerie, Tribal Rhythm
Name Variations: All | Frankie Bones | "Bones" | Bones | DJ Frankie Bones | F. Bones | Frankie "Bones" | Frankie 'Bones'

View releases in: All Genres, Electronic, Hip Hop, Rock, Latin

Releases:
Ghetto Technics 12 (12") Ghetto Technics
Ghetto Technics 13 (12") Ghetto Technics
Ghetto Technics 3 (12") Ghetto Technics
Ghetto Technics 4 (12") Ghetto Technics
Ghetto Technics 6 (12") Ghetto Technics
The East Coast House EP (12") Groove World
Trackwerk Blue (12") D-Dance
Bonesbreaks Volume 1 (LP) Underworld Records 1988
Bonesbreaks Volume 2 (LP) Underworld Records 1988
Bonesbreaks Volume 3 (LP) Underworld Records 1989
Call It Techno (12") Breaking Bones Records 1989
Drumdrops Vol. 2 (Essential Break Beats & Loops) (12") Big Break 1989
Volume One (LP) Nu Groove Records 1989
Bonesbreaks Volume 4 (12") Breaking Bones Records 1990
Bonesbreaks Volume 5 (12") Underworld Records 1990
Call It Techno (12") JEP Records 1990
Call It Techno (Remixes) (12", S/Sided) X Records (US) 1990
Cross Bones E.P. (12") Rave Age Records 1991
Crossbones E.P. (12") Fabulous Music UK 1991
Bonesbreaks Volume 6 (12") Groove World 1992
Trapezoid (12") Fabulous Music UK 1992
Bonesbreaks 7 (Progressive Vibe EP) (12") Groove World 1993
Bonesbreaks Volume 8 (Progressive Aggressive Freestyle Fusion EP) (12") Groove World 1993
From Brooklyn With Love EP (12") Groove World 1993
The Thunderground EP (12") Groove World 1993
Thunderground E.P. (12") Fabulous Music UK 1993
We Can Do This (12") Groove World 1993
We Can Do This / Feel The Rush (12", TP, W/Lbl) Groove World 1993
Bonesbreaks Volume 10 (12") Brooklyn Gutter Culture 1994
Broken Bones Breakbeats Volume 1 (LP) Echo USA 1994
The 2 Clues EP (12") Empire State Records 1994
Bone Up! (LP) Trax Records 1995
Bonesbreaks - The Unreleased Project (12") Music Station 1995
Bonesbreaks Volume 10 (12") Hot Associated Label 1995
Einstein e=me+3² (12") Drop Bass Network 1995
Inside The Silverbox EP (12") Electric Music Foundation 1995
Bonesbreaks Volume 11 (LP) Underworld Records 1996
Climax Control (12") Hyperspace 1996
Furthur (12") Drop Bass Network, Communique Records 1996
My Peak (12", Promo) Logic Records (US), Logic Records (US) 1996
Rewind Tomorrow E.P. (12") Futurist 1996
Technolo-G (12") ESP-SUN Records 1996
Trackwerk Orange 1 (12") D-Dance 1996
B2B EP (12") ESP-SUN Records 1997
Ghetto Technics 1 (12") Ghetto Technics 1997
Ghetto Technics 2 (12") Ghetto Technics 1997
Inside Mr. Paul's Greybox (12") Futurist 1997
Proceed With Caution EP (12", EP) Electric Music Foundation 1997
Computer Controlled (CD) X-Sight Records 1998
Computer Controlled (CD) X-Sight Records 1998
Computer Controlled (Live In California) (CD) Livewire 1998
Dirty Job (12") X-Sight Records 1998
Ghetto Technics 5 (12") Ghetto Technics 1998
Ghetto Technics 7 (12") Ghetto Technics 1998
Ghetto Technics 8 (12") Ghetto Technics 1998
High IQ (2x10", Blu) Hyperspace 1998
In The Socket (12") ESP-SUN Records 1998
Rockaway Shuttle EP (12", EP) Sonic Groove 1998
Technolo-G (CD) ESP-SUN Records 1998
The Big Apple Bites Back (2xCD) Mirakkle Records 1998
The Candle EP (12", EP) High Octane Recordings 1998
Computer Controlled 2 (CD) X-Sight Records 1999
Computer Controlled 2 (CD) Brooklyn Music Limited (BML) 1999
Ghetto Technics 10 (12") Ghetto Technics 1999
Ghetto Technics 11 (12") Ghetto Technics 1999
Ghetto Technics 9 (12") Ghetto Technics 1999
The Mutha Fuckin Good Life (12") Underground Construction 1999
The Way U Like It (12") Bellboy Records 1999
We Call It Tekkno (12") Bash Again! 1999
America In Black & White EP (12") Bellboy Records 2000
Baseball Fury (12") Sonic Groove 2000
Bonesbreaks 2000 (12") Badmotherf#*ker 2000
House Special EP (12") Urban Substance Records 2000
My House Is Your House (12") Bash Again! 2000
My House Is Your House (12") Bash Again! 2000
The Saga EP (12", EP) Pro-Jex 2000
5 Drum Machines, 4 Effect Processors, 3 Samplers, 2 Turntables, and 1 Mixer : Future Concepts in Underground Invention (Cass) Sonic Groove 2001
Electrophonic (12") E Series 2001
Filthy Dirty Animal Crackers (12") Blueline Music 2001
Ghetto Technics 14 (12") Ghetto Technics 2001
Ghetto Technics 15 (12") Ghetto Technics 2001
Ghetto Technics 16 (12") Ghetto Technics 2001
Ring Your Alarm EP (12") Pro-Jex 2001
The Metropolitan EP (12") Missile Records 2001
The Strength To Communicate (12") Remains 2001
The US Ghetto Selecta (12") Pro-Jex 2001
Turntable Specialist #1 (12") Hard To Swallow 2001
And Here's Another Human Distraction (12") Remains 2002
Army Of One (CD) System Recordings 2002
Bump Your Head (12") Bellboy Records 2002
Pro.File 2: Frankie Bones, Turntable Specialist (CD) Brooklyn Music Limited (BML) 2002
The Day After The Music Stopped EP (12") Hard To Swallow 2002
The Lot Of People (12") Pro-Jex 2002
The Thin Line Between Fantasy & Reality (2xLP) Pro-Jex 2002
The Thin Line Between Fantasy & Reality (CD) Pro-Jex 2002
Computer Controlled 3 (CD, Album) Brooklyn Music Limited (BML) 2003
Underground Mash-Ups (12") Hard To Swallow 2003
(Pro)File. (Pro)Duce. E.P. (12") The Last Label 2004
Crash-Up On Interstate 95 (12") The Last Label 2004
The Lot Of People (12") Pro-Jex 2004
Unidentified (12") Kiddaz.fm 2004
Act Like You Know (CD) System Recordings 2005
Speedometer EP (12") Synchronicity Recordings 2006
The House of ODD (12") The Groove Shop 2006
Remixes:
Play One Record (12") Play One Record (Frank... Caffeine Records
Get Hip To This (Frankie Bones Manic Mix) (12") Get Hip To This (Frank... Republic Records (2) 1989
I Won't Stop Acieed! (12") I Wont Stop Acieed ! (... Breaking Bones Records 1989
Just As Long As I Got You (7") Just As Long As I Got ... XL Recordings 1989
On The Groove Tip 1 (7") (Fourth Floor) Goin' U... Record Mirror 1989
Rock And Boogie Down (12") Rock And Boogie Down (... Breaking Bones Records 1989
Run Away (12") Run Away (Hip House Mi... 4th & Broadway 1989
Energy - DJ's In The House (CD) Error (I Like) Castle Music / Castle Communications 1990
Energy DJ's In The House (LP) Error (I Like) (The Ga... WGAF Records 1990
Energy DJ's In The House (CD) Error (I Like) (The Ga... WGAF Records 1990
EP (12") SLK Records 1990
Last Thing On My Mind (12") Silly Games (Bonesbrea... A & M Records (Europe) 1990
Last Thing On My Mind (CD, Maxi) Silly Games (Bonesbrea... A & M Records (Europe) 1990
Megabass (CD) Get Hip To This (Frank... Telstar 1990
Megabass (LP) Get Hip To This (Frank... Telstar 1990
Megabass (Cass) Get Hip To This (Frank... Telstar 1990
Move Somethin' (12") Move Somethin' (The Mu... Fourth Floor Records 1990
My Love (Has Gone Away) (The Musto/Bones Remixes) (12") My Love (Has Gone Away... Fourth Floor Records 1990
My Love (The Musto / Bones Remixes) (12") My Love (Has Gone Away... WGAF Records 1990
Rewind (CD) Get Hip To This (Manic... Republic Records (2) 1990
Springtime For The World (12") If You Love Somebody (... RCA (UK) 1990
When Can I Call You (12") When Can I Call You (T... Nu Groove Records 1990
(To Yourself) Be Free (12") (To Yourself) Be Free ... Fourth Floor Records 1991
(To Yourself) Be Free (12") (To Yourself) Be Free ... X-Energy Records 1991
Din-Daa-Daa (Trommeltanz) (12") Din-Daa-Daa (Trommelta... DJ's Choice 1991
Energy - DJ's In The House (CD) Error (I Like) Europroduction A.S. 1991
Energy DJ's In The House (CD) Error (I Like) (The Ga... Radikal Records 1991
Energy DJ's In The House (LP) Error (I Like) (The Ga... Radikal Records 1991
Keep It Up Dance (12") Keep It Up Dance (Must... RCA 1991
Lion Dance (Remix) (12") Lion Dance (Bones Brea... Fourth Floor Records 1991
Move Any Mountain (Pro-Gen) (12") Move Any Mountain (The... Fokus Recordings 1991
Progeny (3x12") Move Any Mountain (The... One Little Indian 1991
Progeny (CD) Move Any Mountain (The... One Little Indian 1991
Progeny (Cass) Move Any Mountain (The... One Little Indian 1991
Energy DJ's In The House (CD) Error (I Like) (The Ga... Castle Music / Castle Communications 1994
Step The Fuc Back (12", Red) Step The Fuc Back (Bro... H2OH Recordings 1994
3:7:8 (CD, Maxi) 3:7:8 (Bones Breaks) TVT Records 1995
3:7:8 (12") 3:7:8 (Bones Breaks) TVT Records 1995
Everybody Salsa (CD, Maxi) Everybody Salsa (Brook... 12INC 1995
Everybody Salsa (12") Everybody Salsa (Brook... Puente Records 1995
The Second Coming (12") House Forever (Bonesbr... Empire State Records 1995
Dance Opera - Live Party Mix 5 (CD) Rubber Doll (Frankie B... Dance Opera 1997
Rubber Doll (12") Rubber Doll (Do You Mi... Never Records 1997
Rubber Doll (12") Rubber Doll (Do You Mi... 10 Past 10 1997
Rubber Doll (CD, Maxi) Rubber Doll (Do You Mi... Never Records 1997
Step The Fuk Back - All Star Remixes (2x12") Step The Fuk Back (Fra... H2OH Recordings 1997
Get Up (3x12") Get Up (B.U.G., Brookl... Brooklyn Music Limited (BML) 1998
Get Up (CD, Maxi) Get Up (Brooklyn Under... Cold Front 1998
Eclipse (12") Clashbackk 2000 (Frank... Clashbackk Recordings 1999
Expand Your [ Head.com ] (2xLP) Rubber Doll (Do You Mi... Never Records 1999
Expand Your [ Head.com ] (CD) Rubber Doll (Do You Mi... Never Records 1999
It's Automatic (Remixed) (12") It's Automatic (Franki... Mafddap Recordings Inc. 1999
Who Knows Dem Ho's? (12") Bitch (Ghetto Technics... Whack Trax 1999
Digital Empire: Mix Breed (CD) Got To Be Free (Franki... Brooklyn Music Limited (BML) 2001
Digital Empire Studio Wars (CD) Ecstasy, You Got What ... Brooklyn Music Limited (BML) 2002
Jack LP (3xLP + CD) Co-Fusion-On (Frankie ... Pro-Jex 2002
Sexuality (Remixes) (12") Sexuality (Frankie Bon... Sonic Groove 2002
Jack! (2xCD) Co-Fusion-On (Frankie ... Pro-Jex 2003
Rumbling Bass (12") Rumbling Bass (Frankie... Allied Recordings (2) 2004
Sexuality 2004 (12") Sexuality (Frankie Bon... Sonic Groove 2004
Scratches:
Merge (CD) Willin' To Be Chillin' A & M Records (US) 1989
Merge (Cass, Album) Willin' To Be Chillin' A & M Records (UK) 1989
Production:
Crimes Of Passion (12") Tropical Heat 1987
So Good For You (12") Musicworks Records 1987
House Music (All Night Long) (12") Lower Level Records 1988
Is It Me Or Is It Her (12") Tropical Heat 1988
Dance Madness And The Brooklyn Groove (LP) Call It Techno (Brookl... Deconstruction 1989
Dance Madness And The Brooklyn Groove (CD) Call It Techno (Brookl... Deconstruction 1989
Dance Madness And The Brooklyn Groove (CD) Call It Techno (Brookl... RCA Schallplatten GmbH 1989
Dance Madness And The Brooklyn Groove (Cass) Call It Techno (Brookl... Deconstruction 1989
Feel It In My Heart (12") Fourth Floor Records 1989
Give Me Energy / I Gotta Big Dick (12") Give Me Energy (Energe... Fourth Floor Records 1989
House Music (All Night Long) (12", Maxi) ZYX Records 1989
I Won't Stop Acieed! (12") Breaking Bones Records 1989
The Looney Tunes EP Vol. One (LP) XL Recordings 1989
Vol. I (12") Nu Groove Records 1989
You Gotta Release (The Hoe) (12") Fourth Floor Records 1989
Come A Little Closer (12") Fourth Floor Records 1990
Dangerous On The Dancefloor (12", Promo) City Beat 1990
New York, New York (12") Buzz 1990
6 In The Mix - Vol. 2 (CD) My House Is Your House Indisc 1991
Make You Sweat (CD) Sex 4 Daze (I Want It,... Telstar 1991
Parrty! (12") Hot Associated Label 1995
Co-production:
Give Me Energy / I Gotta Big Dick (12") I Gotta Big Dick (Loco... Fourth Floor Records 1989
Our Ultimate Groove Trax Volume Two (12") Underworld Records 1990
Mix:
The House Sound Of Chicago - The Future House Edition (CD) Dangerous On The Dance... BCM Records
Bopsey Twins (12") Snowflake Records 1985
Crimes Of Passion (12") Crimes Of Passion (Cri... Tropical Heat 1987
Don't You Wanna Rock (12") Don't You Wanna Rock (... Fourth Floor Records 1988
It's Just A Groove (Soon As The Beats Felt) (12") Fourth Floor Records 1988
Dance Madness And The Brooklyn Groove (LP) Rock And Boogie Down (... Deconstruction 1989
Dance Madness And The Brooklyn Groove (CD) Rock And Boogie Down (... RCA Schallplatten GmbH 1989
Dance Madness And The Brooklyn Groove (CD) Rock And Boogie Down (... Deconstruction 1989
Dance Madness And The Brooklyn Groove (Cass) Rock And Boogie Down (... Deconstruction 1989
Feel It In My Heart (12") Fourth Floor Records 1989
The Forgotten & Disguarded Volume 1 (12") The House Is Rockin' Fourth Floor Records 1989
The Future Of House... A New Generation (2xCD) Sex 4 Daze (I Want It,... BCM Records 1989
I See The Madness / Get On Up And Dance (12") I See The Madness (Bon... Champion 1990
The Original Trip-Out Break EP - Volume 3 (12") Requestline Records 1990
Upfront 1 - 15 Upfront Floor Fillers (2xLP) All I Want Is To Get Away Solid Records Ltd. 1990
Upfront 1 - 15 Upfront Floor Fillers (CD) All I Want Is To Get Away Solid Records Ltd. 1990
Upfront 1 - 15 Upfront Floor Fillers (Cass) All I Want Is To Get Away Solid Records Ltd. 1990
Thin Ice: The First Step (2xCD) I See The Madness (Bon... Telstar 1991
Thin Ice: The First Step (2xLP) I See The Madness (Bon... Telstar 1991
Thin Ice: The First Step (2xCass) I See The Madness (Bon... Telstar 1991
Everybody Salsa (12") Everybody Salsa (Brook... Heartbeat 1995
Ultimate Trax Vol. 1 (12") I Wont Stop (Tribal Rh... Hot Associated Label 1995
I Know Electrikboy (4x12", Album) Clashbackk 2000 FFRR 1999
DJ Mixes:
DJ Techno Mix Vol. 1 (CD) Beast Records 1996
Frankie Bones House Loop (CD) Sm:)e Communications 1996
Global House Culture Vol. 2 (CD) ESP-SUN Records 1996
Late Night Sessions Mix (CD) Hot Associated Label 1996
United DJs Of America Vol. 6 - Frankie Bones - Brooklyn, NY (CD) Moonshine Music 1996
Escape From Brooklyn (CD) ESP-SUN Records 1997
Escape From Brooklyn (CD) Sun Music 1997
Factory 101 (CD) X-Sight Records 1997
Factory 202 (CD) X-Sight Records 1998
Factory 303 (CD) X-Sight Records 2000
You Know My Name (CD) Moonshine Music 2000
Sonic Groove Defined (CD) Instinct Records 2001
Appears On:
Deep Down In The House Vol. 2 (CD) House Music (All Night... Galaxis
Play One Record (12") Play One Record (Origi... Caffeine Records
Can't Take These Lies (12") Midnight Sun 1987
Come Back To Me (12") Tropical Heat 1987
Let's Be Lovers (12", Promo) Best Records 1987
And The Break Goes On (The Original Freestyle Groove) (12") Hardcore 1988
Sex 4 Daze (I Want It, You Can Get It) (12") Nu Groove Records 1988
The Nightmare (12") Nu Groove Records 1988
Betrayal (12") Tropical Heat 1989
Call It Techno (12") R & S Records 1989
Dance Madness And The Brooklyn Groove (LP) Call It Techno (Brookl... Deconstruction 1989
Dance Madness And The Brooklyn Groove (CD) Call It Techno (Brookl... RCA Schallplatten GmbH 1989
Dance Madness And The Brooklyn Groove (CD) Call It Techno (Brookl... Deconstruction 1989
Dance Madness And The Brooklyn Groove (Cass) Call It Techno (Brookl... Deconstruction 1989
Dance Madness And The Brooklyn Groove (12", Promo) Deconstruction 1989
Drumdrops Vol. 1 (Essential Break Beats & Loops) (12") Big Break 1989
Energy Dawn EP (12") XL Recordings 1989
Energy Dawn EP (CD, Maxi) XL Recordings 1989
Feel It In My Heart (12") Fourth Floor Records 1989
House Music (All Night Long) (12", Maxi) ZYX Records 1989
Just As Long As I Got You (12") XL Recordings 1989
Just As Long As I Got You (CD, Maxi) XL Recordings 1989
Just As Long As I Got You (Acetate, 12", S/Sided) XL Recordings 1989
Just As Long As I Got You (House Mix) (12") Just As Long As I Got ... ZYX Records 1989
Sex 4 Daze (I Want It, You Can Get It) (12") Champion 1989
The Looney Tunes EP Vol. One (CD) XL Recordings 1989
The Looney Tunes EP Vol. One (LP) XL Recordings 1989
Vol. I (12") Nu Groove Records 1989
Al-Naafiysh (The Soul) (1990 Remix) (12") Al-Naafiysh (The Soul)... Injection Disco Dance Label 1990
Certain State Of Mind (12") Certain State Of Mind ... Atmosphere Records 1990
Dangerous On The Dancefloor (12") City Beat 1990
Dangerous On The Dancefloor (12") RCA 1990
Decoded And Danced Up Rhythms Of Deconstruction (LP) The Dance (Revisited) Deconstruction 1990
Decoded And Danced Up Rhythms Of Deconstruction (CD) The Dance (Revisited) Deconstruction 1990
Disturbing The Peace (CD, Album) Ragga House (Orbital Dub) BCM Records 1990
Just As Long As I Got You (House Mix) (7") Just As Long As I Got You Speed 1990
Let It Take Control (12") XL Recordings 1990
Looney Tunes II (LP) Nu Groove Records 1990
The Future Is Ours (CD) BCM Records 1990
The Future Is Ours (CD) BCM Records 1990
The Future Is Ours (LP) City Beat 1990
The Future Is Ours (CD, Album) City Beat 1990
The Future Is Ours (Cass, Album) City Beat 1990
The Looney Tunes Vol. Two (LP) XL Recordings 1990
Time Is Running Out / Dangerous On The Dancefloor (7") City Beat 1990
Underground Breakdown (12") Fourth Floor Records 1990
Where Are They Hiding / Joey's Riot (12") Where Are They Hiding Atmosphere Records 1990
Bass 4 Your Face (12") Brooklyn Groove Productions 1991
Mato Grosso (12") Mato Grosso (The Ameri... Atmosphere Records 1991
Move Any Mountain (Progen 91) (12") Move Any Mountain (The... Epic 1991
Techno Rave! (2xCD) Ecstacy Recall !Hype 1991
Technoworld Volume 2 (2xCD) Ecstacy Recall (Recall... !Hype 1992
Tekknophobia - Total Techno Ecstasy (CD) Ecstacy Recall (Recall... Control 1992
The Judgement Day - The Mayday Compilation Vol. III (2xCD) Direct From Brooklyn, ... Radikal Records, Hot Associated Label 1993
The Best Of Fourth Floor Records (CD) And The Break Goes On,... Fourth Floor Records 1994
The Best Of All The Looney Tunes (CD) Hot Associated Label 1995
The Best Of Nu Groove Records Volume 1 - Classic House Anthems (CD) Hot Associated Label 1995
The Best Of Nu Groove Records Volume 2 - Electronic Techno & House Mutations (CD) Is Rhythm Rhythm?, Ano... Hot Associated Label 1995
The Best Of Nu Groove Records Volume 3 - Trip Hop, Dub Rhythm & Ambient Grooves (CD) Hot Associated Label 1995
The Falcon Has Landed (12") The Falcon (Bones Retr... Hard To Swallow 2001

There's a hole in my chest where the upcoming Hitched used to be.

What will I fill it with?




FRANKIE fucking BONES!!!




that's what.


:)
can't wait.

yeggs, its back! mix thursday presents tag team night vol. 2098uepihkfpor38y7r3[hdpo87==== a097d we-odfm..s dks-08 //12=079329-48y pgua87

featuring

DJ OMNI (Akarien )
vs
SEAN KOSA (turbo)

SARCASTIC (level 4 / wikkid records)
vs
AXEL KLEIN (akarien )

DJ EVER (parisian laundry) opening set



8-3 am in the arena of doom, Saphir's main (1st) floor. drink specials all night

BAR-B-CUE @ 8pm!!!
FREE BEFORE 11 PM!!!!!!!1111!!!

WOW!!!!
big props, congratulations and best wishes @ gen and matt
party was amazing, it was definitely one of those nights where (for me) the technical difficulties became secondary to the overarching awesomeness of everything, namean?

wow!! great booking! are you going to pay him afterwards?

best





lineup








ever

there's 2 "P" s in disappointed tork, you fucking frenchman :)

P.L.U.R.!!!!!

well i was really psyched to hear audion and unfortunately his set totally sucked balls. i dont know if its cause his laptop was lagging with the serrato or if he just can't DJ, but man that was trainwreck central. i left.

hey ya! big ups @ flashy simon


A WARM THANK YOU from ALL of MIX THURSDAYs MANY AFFILIATED ENTITIES THANKING ALL Who TOok the Time to Vote us in as #3 CLUB NIGHT In the city!! wow... its fucking crazy considering its a thursday night at such a small club, THANKS SO MUCH!!!! for the support and of course thanks for comin out on the regular.

ya big ups @ TGIT, mad respect for what they accomplished in so little time: DAVEthe drummer of course, mad ravey nights on a thursday (breakin new ground!!), 4 turntable nights, hard techno on the regular! big respect at julien and louis :) :) :)

Ashes on the Table
Karma & Lotus
Mr Goodvibes
perform LIVE at Jello Tue May 29th
this is a rare chance to catch QUALITY local hip hop acts busting their chops in a pro atmosphere, with nice peoples around you and no fake fronting-ass fucknut attitude. for heads, ears, souls n hips

The Rogue Element:

Since signing a two-album deal with the reputable and eclectic Exceptional Records in 2004, The Rogue Element has taken the breakbeat world by storm. A string of singles received instant support from the Plump DJs, Freestylers, Stanton Warriors, Krafty Kuts, The Crystal Method, Hyper and Rennie Pilgrem and culminated in Ben being awarded the 'Best Breakthrough Producer' award at the prestigious Breakspoll International Breakbeat Awards at Fabric. In addition to this the acclaimed debut album 'Rogue Rock' was released in September 2005, which received a nomination for 'Best Album'.

2006 has seen The Rogue Element continue in a prolific manner with remixes of some of the biggest names in breakbeat (Stanton Warriors, Freestylers, Krafty Kuts, the Crystal Method) and drum and bass (Noisia). DJ tours have taken him all over Central and Eastern Europe, to the Far East, and to Australia and New Zealand. Continued collaborations with Tom Real, available on Functional, have been similarly lauded and have succeeded in crossing over to the electro scene (He's So Hot Right Now). A second studio album is currently in its early stages and is expected to be released in around September 2007 [ www.therogueelement.net ]

DON'T MISS HIS FIRST EVER MONTREAL APPEARANCE!!!




--------------------------------------------------------------------------------








Jeudi 24 Mai Thursday May 24 @ Saphir
3699 Blvd. St-Laurent 1st (main) floor 10pm-3am ($8/door)
drink specials all night. terrace pour les fumeurs.

[ www.myspace.com ]




this special presentation of Mix Thursday would not be possible without:

...Rhys Taylor, Melon, Broken Crew & Your Radio Is Broken on CKUT 90.3 FM (Sat 4-6 AM)
...DJ Bind & The Hunter/Gatherer Show on Techno.fm (Wed 8-10 PM)
...Spacekadet, Frogland Breakers & Planet Break



--------------------------------------------------------------------------------


coming soon to Jeudis MIX Thursdays:

>>>>31 Mai: NOTEK #1 w/ Khiasma, Hatchmatik & Miss B.

>>>>7 Juin: Murdock's bday bash feat. BC's Andrew Spence (live breakbeat/saxophone) w/ Mana, Somsay & Murdock

[ www.myspace.com ]

!onelove

ils jouent du "nu rave" !!

10-12 sarcastic
12-130 lynne t
130-3 nuraversontheblock

MIX
est fiere de presenter:
Jeudi le 17 Mai 2007

DJ SARCASTIC [ www.level4productions.com ] [ www.wikkidrecords.com ] [ www.techno.fm ]

LYNNE T (lesbians on ecstasy, [ www.lezziesonx.com ] [ www.myspace.com ] )

NU RAVERS ON THE BLOCK [ ]

mix co-founder DJ Sarcastic performs a special deep/dub opening set (10-midnight)
Lynne T. embarke a minuit, Nu Ravers on the Block make their Mix Thursday debut
and close the night (130-3 approx.)

@ Saphir, 3699 Blvd. St-Laurent, 1st (main) floor, 1ere etage
drink specials all night long! terrace for the smokers! 10pm-3am
Les Jeudis Mix: the home of underground electronic music in Montreal 2 yrs +




Sarcastic

Founder of Montreal-based underground electronic music pantheon Level 4 Productions, this amorphous being has contributed to the subculture's cabalistic causes on many levels for the past decade as label manager, DJ, producer, promoter and music critic. Possessed since childhood with a needling drive to splice together discrete musical compositions, first with cassette decks, microphones, CD players or 8-tracks, it was only a matter of time before Sarcastic was introduced to his lifetime partner: the Technics 1200. His love for the chugging repetitive nature of techno, acid house and hardcore genres remains informed by an early appreciation for hip-hop, stoner rock, jazz and psychedelia of all sorts. Equally at home behind two or three decks, Sarcastic's diversity has allowed him to perform alongside many of his musical mentors: NYC's Frankie Bones, Detroit ghetto-tech's DJ Assault, Stockholm's Thomas Krome and Slobodan, London breakbeat stars Freestylers or Deekline, or minimal techno luminaries Deadbeat or Algorithm. Lengthy local residencies have seen Sarcastic spinning anything from pure tek, minimal and experimental techno to acid, breakbeats, DnB, booty, house and tek-house; recently championing the "vinyl" movement, Sarcastic is even known to work classic rock, funk, hip hop, trip hop, blues, jazz and bluegrass into his carefully programmed DJ sets. Meanwhile Sarcastic's productions have ranged from minimal (Something Strange is Happening Downtown) to maximal (Sarcastic's remix of Aiwa's Pharagonescia), garnishing rave reviews internationally. Sarcastic continues to run against the grain, eclipsing expectations and defying conventionality in the ongoing quest for communal and individual expression through sound and music.



* * *




Le fondateur du collectif Level 4 Productions basé à Montréal, cet être amorphe a contribué aux causes caballistiques de la sous-culture à plusieurs niveaux durant cette dernière décennie en tant que gérant d'étiquette, DJ, producteur, promoteur et critique de musique. Son amour pour la nature répétitive de la Techno et l'Acid House reste informé d'une longue appréciation pour le hip-hop, Stoner Rock, Jazz ainsi que la Psychedelia de toutes sortes. Tout aussi à l'aise que ce soit derrière deux ou trois platines, la diversité de Sarcastic lui a permit de jouer aux côtés de plusieurs de ses mentors tels; Frankie Bones de Brooklyn, DJ Assault de la scène Booty/Ghetto-Tech à Détroit, les valeures sûres de la Techno Suédoise Thomas Krome et Slobodan, les étoiles du Breakbeat Britannique Freestylers ou Deekline ainsi que le génie Techno Minimal/Dub Deadbeat. Avocat du mouvement "pro-vinyle", Sarcastic et aussi connu pour introduire du Rock, Blues ou même du Bluegrass dedans ses mixes soigneusement programmés. Dans ces compositions, qui ont d'ailleurs reçu de bonnes critiques des deux côtés de l'Atlantique, on y retrouve tant du Techno Minimal (Something Strange is Happening Downtown, Phoniq) comme des trucs plutôt "Hard" (Sarcastic's remix de Pharagonescia, Wikkid Records).


[ www.level4productions.com ]
[ www.myspace.com ]

Mix Thursday is proud to present

Philgood (in beat records, noerg)
Fu Ancko (akarien, eresys)
Seismo Logick (citizens)

@ Saphir
Jeudi 10 Mai 10pm-3am

1st (main) floor. $5
drink specials all night


PHILGOOD

PHILGOOD (Philippe Granja) Having spent more than half of his life behind turntables, Philgood has always given priority to music that takes the listener into new dimensions, stimulating dance, excitement, and an escape from the rigors of everyday life. Montreal's most prestigious clubs battle for his skills, Rave enthusiasts become obsessed with his persona, and Philgood has by now caught the ears and attention of electronica scenesters the world over. Through his residency at such renowned Montreal clubs and event as Sona, Swirl, Arrival, Celebration and via his performances overseas (France, Switzerland, USA, Colombia, Hong Kong) Philgood has dropped records alongside techno luminaries including Laurent Garnier, Tiesto, Richie Hawtin, DJ Rush, Sven Väth, Green Velvet, Felix da Housecat, Timo Maas and John Aquaviva. Focussing on the genre of electro, Philgood has seen the style creep stealthily into the already-diverse array of musical styles readily transmitted through his DJ sets. [ ]


FU ANCKO
François Pelletier aka Fu Ancko and Francko Da WRA at the beginning had to calm his energy through music. He was ten years old then and he was fascinated by the drums and the bass. But back then his interest in music did not grow any further.
Many years have passed since he discovered electronic music, and his childhood dream of becoming a DJ reappeared, back when dancemix compilations played an important role for him. But then he found himself short of cash to quench his thirst for electronic music. Since his appearance in the electronic music scene, Francko has travelled across Quebec; from Montréal to Québec, from Québec to Victo, from Victo to Beauce...it has no end.
He has demonstrated in his style a maturity and a particular energy. In the beginning it was the trance and acid-trance what interested him the most. Today looking for challenge, he prefers to specialize in a style that looks more like the break beats with house and electro sounds. [ ]


+ the Mix Thursday debut of Citizens founder SEISMO LOGICK [ www.myspace.com ]



coming soon to the Mix

May 17: Lynne T. (Lesbians on Ecstasy), Sarcastic (level 4 / wikkid records / techno.fm) & Nu Ravers On The Block

May 24: UK breakbeat phenom Rogue Element (best breaks producer 2006 breakspoll awards) w/ Bind, Spacekadet, Ryhs Taylor

Mix cofounder Rhys Taylor and his Broken partner Melon represent their CKUT show Your Radio is Broken (Saturday morning 4AM-6AM 90.3 FM) as hosts of Mix Thursdays' contribution to the current CKUT Funding Drive. Help heep college community run dope radio stations like CKUT FM 90.3 ALIVE by supporting and hear some WICKED acts...

the MIX thursday debut of Pad Class LIVE. if you dont know what that is, i'm not gonna tell you, cause this shit is so fresh i dont even know if i'm spelling it right. this shit is SO dope and dirty that you'll be clawing your eyes out, peeing out of your ass and begging for a suppository. DONT SLEEP. you dont want to miss that ^^^^ LIVE!!!

with TONY EZZY
no fucking around this guy's a musical genius, if you ain't seem him yet then you won't be saved. come see him. save your soul. he's magical, he's religious, and he travels time with a farfisa keyboard. LIVE. mix thursday is VERY proud to have tony back agin!!

and your HOSTS and CKUT strongmen
SCOTT C the goods .
RHYS TAYLOR & MELON broken crew .

!!!!!!!!!!!!

THURSDAY MAY 3rd @ Mix Thursday @ Saphir.. 3699 St-Laurent 1st (Main) Floor $5 > terrace for smokers, 2for1 beerz all nite long what more can you ask for?

nothing. that's what.

so, who won???

hahjahahahah

congrats host and the hacksaw division sorry i couldnt make it, had prior engagements but you know, KO 4eva!

matduke epitomizes EVERYTHING that IS oldschool.


timeslots for mixthurs

10-11 bodkin & karl marx
11-12 deebass & dialect
12-1 poontz & leo
1-2 axel klein & rhys taylor
2-3 corey k & mayday

let's DOWIIIITTTT.

Mix Thursday is shocked and stunned
to be celebrating 2 years of continuous uninterrupted service
to the montreal underground electronic community this Thursday April 26 2007

We give thanks and praise
to the entire city of montreal, to all the artists,
DJs, performers and musicians
who've supported us from day one and mostly
and especially to all those that have come out
consumed sounds and textures
danced, conversed, listened,
learned, saw and felt.
Thank You.



FIVE HOURS. TEN DJs. TWO TURNTABLES. ONE MIXER. TWO CDJs.
THREE BARTENDERS. ONE TERRACE. EIGHT SPEAKERS.
SEVEN STYLES. EIGHT DIAGRAMS. TWO BEERS FOR SIX DOLLARS.
TWO FLOORS. ONE COVER. TWO YEARS.ONE LOVE



MIX THURSDAY >>>>
Launched in April 2005, Saphir's Mix Thursday set out to present the best DJs and artists in Montreal's underground electronic music community, combining all of the scenes promoters, DJs and producers into a unique communal concept curated by Broken Crew's Rhys Taylor, Level 4 Productions' "Sarcastic" Steve and Drunken Midget's Tipsy T.... To that end we've since invited over 200 DJs, live artists, visual artists (and even standup comedians) to perform, focussing on local artists but also featuring international headliners such as Frankie Bones (NYC), DJ Assault (Detroit), Deekline (London, UK), Ali B (London, UK) or Caps & Jones (NYC). Committed to an open mandate, Mix Thursday is based upon the idealistic premise that a mutual ground can be found within the many diverse forms of underground musical expression and as such we regularly explore various genres including but not limited to: live performances, laptop performances, break beats, booty and ghetto-tech, electro, techno, minimal techno, house, tech-house, drum and bass, dubstep, grime, afrofunk, baile funk, dancehall, reggae, etc.

also you CAN GO HERE >> [ www.level4productions.com ] to see the whole MIX art Archive...
including all of our flyers, posters and propaganda, designed in house, mostly by Mix co-founder Rhys Taylor.




In Februrary of 2007 Mix was joined by Project Mayhem's TGIT upstairs at Saphir. Thank God It's Thursday showcase music from the local rave and afterhours scene focusing on trance, techno, hardstyle, freeform, hardcore and more.
thursday april 26 TGIT presentent:
Blessed be the Old School w/
Kidstatik vs Kilobyte [ www.level4productions.com ]
Psonyk
Matduke
en haut upstairs @ Saphir. $5. one cover. two floors