aria is all about house, techno, and trance on special events. can't ask more.

oh, and hip hop. whatever.

error-ize, what are you?

hmmm stop using 16 as THE age to bitch? I think I'm gonna cry and go rave at the kindergarden where my real friends are.

weeeeee!

This is a raver community.

j'aime les MC de CKOI

god bless you.

what are you?

hey I saw on the hullabaloo forum that there has been a "tragic" hullabaloo... something happened but I have no idea what is it and I don't want to ask this on the official board.

anyone knows what happened back there?

not my opinion

hey lone star, you got msn? I'm getting used to you.

lmao?

t e-mailé

mais si tu me contactais par msn ca srait ideal.

shotgun sur les m&m

ma te mailer pour tout autre chose

wow... that's old stuff.

trop cher, a 5$ jten aurai pogné une coupe.

not always

1) Service Pack checks your CD-Key, if it doesn't work, you got a pirate key. Get the Blue List generator.
2) Service Pack 1 ain't nothing but shit anyway
3) Just don't check it
4) Rock on baby

by the way...
CD-Key == Serial Number

what the hell!?

first canadian appearance?

isn't that guy who just came here a few days ago?

a couple of minutes on RW

"Why do you think a lot of hardcore/cch have those stupid hand-claps"

because it's cool!

you can start with hardcore, house, trance, whatever you want.

there's no "good" thing to start with.
if you want to become a hardcore dj, don't waste cash on other vinyls, just mix what you like. else you will be bored as hell.

and man, how do you think djs are learning?

hours of practice alone. there's no courses that will ever do the same thing as good old practice. because mixing is a sense you develop by practicing. there's no magic way, you just gotta start beatmatching during 2 or 3 minutes, and then practice, until you believe you beatmatch fast enough.

it's like a sport. reading a book about it will never help you as much as playing every days.

you should just first understand the way a hardcore song is made (cuz they're almost all following the same pattern) and then start messing with your mixer and tables, and gradually, you will the hang of your song manually.

after being able of manipulating a song and knowing your mixer, you should be able to start beatmatching.

just focus on that, because this is the basic, and you really need it.

it's Elementary School in english, not primary, boy.

whatever. :P

and to learn the basics of beatmatching, I'd recommend producing a song in Fruityloops or something. helps a lot to understand the technical basics of a song.

hehe screwhead, i was refering to a guy playing both vinyl sides. (ghetto?)

good idea dude

you wanna play all da styles?

with 230$/week?

HAH!

and to your PS, i would certainly not pay more than 7-8$ for a used vinyl except if it's rare...

dunno much about it but I guess it's a good idea.

they'll brainwash you with drum n bass :P

why after a certain amount of time, i become a anonymous user?

i dont get it...

oh and by the way... tables can come with many additionnal spendings.

like the needles, reparations, adjustments...

and in a single hour live set, you will spin for like 150$ of vinyls.. and you dont want to always spin the same stuff.

yea, it's a fucking expensive hobby.

pete, im no elite dj at all, but...

do you have any basic on How-To-Mix?

[ www.123dj.com ]

this is what you need man!

the funniest part is that most new djs are selling their tables after 2 weeks.

pete, you're about to buy two used tech1200 on credit and you don't even know how to check if they're working fine enough. you don't even have enough to get them straight in a single payment. and then, you will need a mixer. and then, vinyls that are pretty fucking expensive.

i hope you're ready to spend a lot =)

yeah, she dont like the banging sound.

and she won't like the dryer sound she will hear during the few first months.

wow, skilled hacker

you scare me sometimes pete

have fun