Dnb/breaks On Rave.ca
| Good [+1]Toggle ReplyLink» Nathan replied on Mon Jul 19, 2010 @ 7:48pm |
 Coolness: 166530 | Originally Posted By CRIMSON
What's left of my soul for some jungle too!!! =) haha XD done! well, this all inspired me to come up with a preliminary party plan (some of which was already rolling around my brain), and well, if i can come up with the moneys to go through with it, you'll shit bricks. ;) ... and that's all i'm saying 'cause i hate ppl who are all talk and no action! :p |
| I'm feeling you up right now.. | |
| Good [+1]Toggle ReplyLink» MelooDie replied on Tue Jul 20, 2010 @ 8:16pm |
 Coolness: 248410 | If you like breakz , as Seen on [ rave.ca ] ;)
Room 1: 22:00 Dialect (Breakbeat) - [ www.myspace.com ] 23:00 Wally (Dubstep) - [ www.forwardmusicmontreal.com ] - Forward Music 23:00 Rhys Taylor (Dubstep) 23:15 Czarcastik (Techno) - [ www.rave.ca ] 24:15 Rhys Taylor 24:15 Wally (Dubstep) - [ www.forwardmusicmontreal.com ] - Forward Music 24:30 Pinky 38 (Breakbeat) 24:30 Spacekadet (Electro Breaks) 01:15 Wally (Dubstep) - [ www.forwardmusicmontreal.com ] - Forward Music 01:15 Rhys Taylor (Dubstep) 01:30 MelodrastiK (Garage) - Chill Ta Moule 01:30 Milton Clark (Garage) - [ www.techno.fm ] Ze Breakbeat Scene is not Dieing!!!!! :) <3 [ www.rave.ca ] |
| I'm feeling happy like an e-wok right now.. | |
| Good [+1]Toggle ReplyLink» puresexmegs replied on Tue Jul 20, 2010 @ 10:49pm |
 Coolness: 48715 | 3/12 acts breaks.... thats 25%
and why the fuck is there techno? Breaks scene is starting to rekindle slowly in toronto but it doesnt feel the same. Used to be we would have 2 rooms. one would be all jungle in every shape and form and the other all breaks with its all shapes and forms there are so many styles of breaks out there people dont tap into You go to the west coats and its so popular there, but east coast could so get better access to better djs then what headliners they get out there. |
| I'm feeling social butterfly mode right now.. | |
| Good [+1]Toggle ReplyLink» MelooDie replied on Wed Jul 21, 2010 @ 5:20am |
| Coolness: 248410 | Originally Posted By PURESEXMEGS
3/12 acts breaks.... thats 25% We can only put one style next to the artists names .I'll play break mixed with house garage , Rhys taylor plays break as well with dubstep... Geez. Everything to find negatives things heh? Can you guyz be sometimes happy ? No of course because you're all JADED. K THANKS bye |
| I'm feeling happy like an e-wok right now.. | |
| Good [+1]Toggle ReplyLink» nothingnopenope replied on Wed Jul 21, 2010 @ 5:59am |
 Coolness: 201210 | what no speedcore? what happened to that scene. I'm so sick of this <200bpm music. Bunch of sellouts |
| I'm feeling meow right now.. | |
| Good [+1]Toggle ReplyLink» Screwhead replied on Wed Jul 21, 2010 @ 6:17am |
 Coolness: 685575 | eventually NA and I need to do a tag, we discovered that skullstep and speedcore work really well together :P |
| I'm feeling like a drama magnet right now.. | |
| Good [+1]Toggle ReplyLink» puresexmegs replied on Wed Jul 21, 2010 @ 11:57am |
| Coolness: 48715 | Jaded?
I dont think the market scene is a mind reader and knows these dj's will spin 2 styles in 1 st, maybe you should ... umm put that shit down on your event post so it looks like a breaks party and not a dubstep party with 1 tehcno dj randomly put in its like a ginger kid amongst a sea of brunettes |
| I'm feeling social butterfly mode right now.. | |
| Good [+1]Toggle ReplyLink» Nathan replied on Wed Jul 21, 2010 @ 8:32pm |
| Coolness: 166530 | Originally Posted By SCREWHEAD
eventually NA and I need to do a tag, we discovered that skullstep and speedcore work really well together :P hahaha! indeed we did ... i'll just have to find alot more speedcore @ 340 bpm :p and then ... the world explodes before our tag is done XD Originally Posted By puresexmegs
and why the fuck is there techno? 'cause Sarcastic is awesome? ;) |
| I'm feeling you up right now.. | |
| Good [+1]Toggle ReplyLink» Plan-C replied on Thu Jul 22, 2010 @ 1:41am |
 Coolness: 62575 | Excellent: I was hoping to elicit some responses from the heds out there :)
In response to zombie8mybrain (respect for the booking!) and flo and the rest, I totally hear you on dnb and breaks not really happening at raves anymore - or at least not with big names. Fact of the matter is, I think our crowd has gotten older and we've failed to draw in more new faces while dub-step promoters have proven exceedingly successful in doing so. Also not all of us are into staying out until 8am or later anymore, and the dnb/breaks scene is predominantly a drinking crowd. There are also the implications of hosting big parties with A-class headliners at illegit raves (which often won't satisfy artists' technical riders) and then having the party get busted leaving promoters deep in the red and their reputations permanently tarnished. I just got back from Koi bar, and they got no shortage of people that'd be getting carded if we lived south of the border, respect to their promoters - I was going to Koi when it first started and they only had like 30 each night but now a slow night is like 100, and so many young faces too. That said, there are dope dnb and breaks parties that could be and are happening in legit venues - but that's about the only place they can take place most of the time due to contract obligations and risks involved with getting A-listers. I have been somewhat absent on [ rave.ca ] sometimes though, so I don't seem to notice them as much in the threads. I started this thread hoping to get some interest going from new listeners to electronic music and hope we can draw upon more youngsters and get them coming to these parties as these genres are not dead, they just need some new fervor from some angsty raging raver youths ;) I think some of us older dnb bass and breaks heads have failed to initiate them and the age gap perhaps sometimes constrains communication between the younger and older generations (mind you generations in electronic music are only something like 3 years apart since Elec changes so rapidly). So bottom line is, a large percentage of breaks/dnb nights are bar/club nights ending at 3. I know when I was 20 years old, 3 was often not late enough and many new initiates to electronica enjoy their afterparty and crackout sessions. However! There's no reason you can't hit the first show, leave at 3 and find the sketchy afterparty to keep the rage going. There's always something happening anyways in this crazy city we live in. EZ! PS. I just reuploaded 6 mixes to my profile of varying styles of dnb. For those who aren't yet versed in it, I encourage you to check it out. Any and all comments are appreciated :) PPS. Biggups to Fred and Recoil for the presence on [ rave.ca ] and keeping the jungle alive. (heart) the trolls! |
| I'm feeling moodless right now.. | |
| Good [+1]Toggle ReplyLink» ONE.LAB.RAT replied on Thu Jul 22, 2010 @ 2:24am |
 Coolness: 76125 | Originally Posted By DRTAKO
I'm so sick of this <200bpm music. Bunch of sellouts a hobo make more money than a 200bpm dj. |
| I'm feeling me,myself and i right now.. | |
| Good [+1]Toggle ReplyLink» Plan-C replied on Thu Jul 22, 2010 @ 3:01am |
| Coolness: 62575 | Originally Posted By ONE.LAB.RAT
a hobo make more money than a 200bpm dj. ROCK N ROLL MCDONALDS! |
| I'm feeling moodless right now.. | |
| Good [+1]Toggle ReplyLink» Screwhead replied on Thu Jul 22, 2010 @ 5:36am |
| Coolness: 685575 | IMO, the problem is that everything has just gotten so incredibly generic.
(Aaaaaaaand here we go, everyone gets to gang up and start calling me the second coming of Pol Pot again because I'm not following the unspoken "you're not allowed to voice an opinion about anything, anyone, any party or any night in "the scene" unless you're stroking the egos of those involved like a 16 year old at her first party on her first hit of E" rule, so if you can't handle criticism without freaking out like Jessi Slaughter, just skip this post and keep living in your little dream world where everyone unconditionally thinks you're awesome and talented just like your mom always used to tell you) How many DnB DJs play anything different? For the most part, there are three kinds of DnB that everyone in the city sticks to: 1: Sounds Like Pendulum/Subfocus/Camo & Krooked/The Quemist/Concord Dawn/Ill Skillz/Chase & Status 2: Sounds like TC/Clipz/Dillinja/Distorted Minds/Twisted Individual/Roni Size 3: Sounds like Ed Rush & Optical/Phace/Noisia/Calyx/Teebee/Dom & Roland/C4C Despite there being a ton of DnB DJs, you're raaaaaaaaaaarely ever going to hear anything outside those three. I can't think of anyone that plays any liquid funk anymore, I'm the only one that plays skullstep, my brother is the only person I've heard in ages play that dark, minimal, not-over-produced 1998-sounding stuff.. Occasionally someone will dig into their crate and play some Ragga/jungle.. But that's it! 99% of the time, all you're going to hear when it comes to DnB is one of the three aforementioned categories; nothing but a string of dancefloor smashers that sound exactly the same: And the same thing applies to breaks/electro; I mean really, other than Bliss, is there any breaks/electro DJ in the whole city that DOESN'T play only sets that sound like a meddly of Deekline and Freestylers? You know, that breaks sound that sounds exactly like Pendulum at 130bpm instead of 174. 200Hz white-noise snare, sidechained bass/lead that ducks the kick.. Everything has become so incredibly generic when it comes to most of the breaks and DnB DJs in the city that it's not really worth booking them, or more than one of them, because all you're going to get are sets that sound exactly the same as each other. And, also (you can all rejoice now, the moment you've all been waiting for) there's dubstep now that's stepped in. 2002-2006-ish there was DnB and breaks everywhere: Every thursday at Saph, every friday at Blue Dog, parties on friday or saturday night every single weekend, IDJ monthly with good headliners every month and every 4-6 months a major name.. There was a saturation that back then, just like now there's a saturation of dubstep; it's the Next Hot Thing, it draws a crowd, so now instead of a DnB/breaks room at every party, there's a dubstep room. In multi-genre party lineups where you would normaly have seen DnB DJ, now it's a dubstep DJ. And, much as everyone always gives me shit for it, despite the fact that it is simply my opinion, dubstep is currently falling into the same kind of 3-style niche as DnB: 1 - stuff that's spacey, mellow, with a deep bass, more DUB than STEP 2 - stuff that's dark, hard and aggressive, like Noisia or Black Sun Empire at 140bpm 3 - midrange wobble a-la Rusko and Caspa; music that sounds like it was made by people who idolize Ali G and the gangsta-thug-chav lifestyle So what do the masses of people in the average "urban" scene consist of? Is it: People who want to smoke a joint, sit in the corner and chill? People who are into dark, hard music, horror movies, industrial and metal? Or is it people who are into the whole "urban" thing; being an urban soldja, baggy pants, hiphop-without-being-a-gangsta-thug-but-I-still-smoke-my-weed-every-day-and-run-these-streets? And what are the majority going to want to listen to? Slow, mellow, DUBstep? Music that's dark, hard and aggresive? Or music that has an 'I'm so 'ard mate' British gangsta vibe, where they can show off their awesome new fitted caps, hoodies and baggy pants? because like you said Charlie; on a slow night, now, there's 100 people. but do ALL those people listen to a variety of electronic music and go out to raves on the regular? Or are they there because the just heard some Dubstep at Picnik and that means that it must be good if it's playing in such a mainstream environment? Ok, so we don't have dubstep on the radio over here yet, but Snoop is putting together a dubstep mixtape with rap MCs over dubstep beats.. Chase and Status are producing for Britney (and I think Rob Swire of Pendulum already has).. While the stuff that's going to come out of that is probably not going to be typical dubstep, it's going to have the same kinds of sounds and production values.. And since it's been announced, the people who follow those artists (snoop/britney) are obviously going to be looking into what these producers are known for, which means a new influx of people, which is good, but it's an influx of the 'mainstream' crowd, which is good if you want to make a ton of money, but not good if you want to play something that isn't the cheezy wannabe-thug sound they want to hear.. When it comes to multi-genre parties, there's also the problem of promoters not having a fucking clue how to organize a lineup, and DJ egos getting in the way of a proper progression. I can think of at least three people off the top of my head that have booked me for a party and then asked me around when I'd like to play, because 3/4 of the DJs on the lineup are all demanding to play at a particular time or they aren't accepting the booking, then being totally surprised and freaked out that I tell them to put me where they think I'd fit best in the progression. Egos like that and promoters without the balls to put their foot down and say "This is my party, this is your time slot" end up with a lineup that looks like this: 10:00 - Promoter's best friend that just started mixing two months ago 11:00 - high-energy 160-190bpm DJ 12:00 - 135bpm high-energy electro/breaks 01:00 - high-energy uplifting 160-190bpm DJ 02:00 - high-energy dark/evil/hard 160-190bpm DJ 03:00 - psytrance 04:00 - happy hardcore 05:00 - 135bpm high-energy electro/breaks 06:00 - dubstep 07:00 - high-energy DnB 08:00 and on - more of the promoter's best friend that just started mixing two months ago No sign of a logical progression, just throwing people together at the time the DJ wants based on how badly the promoter wants them to play the party and how much of an over-inflated ego they have. But to get back to the main topic of "Why isn't there more breaks and DnB at raves": Change shit up! Evolve! Stop playing the exact same Beatport Top 10 Artists' tunes, do sets that go all over the place and don't stick to one subgenre of DnB/breaks. In your case, do more sets where you mix some Freeform with the DnB, throw in some tunes that slow down for a breakdown and drop in some breaks or dubstep into your set, get to scratching some more (who the fuck does that anymore?).. You've got Serato, so you don't need to crate-dig to get records out; get a ton of acapellas and lay them over tunes - your next tune is only a click/button-press away so you can ride that out. If DnB is going to make it's presence known again, it's got to step up it's game. The DJs have to start thinking outside of the "I'm going to play nothing but the safe, established dancefloor smashers that everyone else plays" box. Sure, it works for Andy C, but because of that, EVERYONE is trying to sound like that when they mix! Less generic sets, bring something new to the table, do something no one else does, mix something no one else does.. Stagnation will be the death of the music. |
| I'm feeling like a drama magnet right now.. | |
| Good [+1]Toggle ReplyLink» greatjob replied on Thu Jul 22, 2010 @ 6:05am |
 Coolness: 282440 | I dont exist. |
| Good [+1]Toggle ReplyLink» basdini replied on Thu Jul 22, 2010 @ 11:26am |
 Coolness: 145185 | start listening to techno... |
| I'm feeling surly right now.. | |
| Good [+1]Toggle ReplyLink» rawali replied on Thu Jul 22, 2010 @ 11:29am |
 Coolness: 140670 | on a lighter note,
at least dubstep isnt doing this... hopefully, we'll never have to put up with this playing in a club/rave/party |
| I'm feeling risk 2nite@passeport right now.. | |
| Good [+1]Toggle ReplyLink» Masa replied on Thu Jul 22, 2010 @ 12:22pm |
 Coolness: 158755 | Originally Posted By PLAN-C
Excellent: I was hoping to elicit some responses from the heds out there :) In response to zombie8mybrain (respect for the booking!) and flo and the rest, I totally hear you on dnb and breaks not really happening at raves anymore - or at least not with big names. Fact of the matter is, I think our crowd has gotten older and we've failed to draw in more new faces while dub-step promoters have proven exceedingly successful in doing so. Also not all of us are into staying out until 8am or later anymore, and the dnb/breaks scene is predominantly a drinking crowd. There are also the implications of hosting big parties with A-class headliners at illegit raves (which often won't satisfy artists' technical riders) and then having the party get busted leaving promoters deep in the red and their reputations permanently tarnished. I just got back from Koi bar, and they got no shortage of people that'd be getting carded if we lived south of the border, respect to their promoters - I was going to Koi when it first started and they only had like 30 each night but now a slow night is like 100, and so many young faces too. That said, there are dope dnb and breaks parties that could be and are happening in legit venues - but that's about the only place they can take place most of the time due to contract obligations and risks involved with getting A-listers. I have been somewhat absent on [ rave.ca ] sometimes though, so I don't seem to notice them as much in the threads. I started this thread hoping to get some interest going from new listeners to electronic music and hope we can draw upon more youngsters and get them coming to these parties as these genres are not dead, they just need some new fervor from some angsty raging raver youths ;) I think some of us older dnb bass and breaks heads have failed to initiate them and the age gap perhaps sometimes constrains communication between the younger and older generations (mind you generations in electronic music are only something like 3 years apart since Elec changes so rapidly). So bottom line is, a large percentage of breaks/dnb nights are bar/club nights ending at 3. I know when I was 20 years old, 3 was often not late enough and many new initiates to electronica enjoy their afterparty and crackout sessions. However! There's no reason you can't hit the first show, leave at 3 and find the sketchy afterparty to keep the rage going. There's always something happening anyways in this crazy city we live in. EZ! PS. I just reuploaded 6 mixes to my profile of varying styles of dnb. For those who aren't yet versed in it, I encourage you to check it out. Any and all comments are appreciated :) PPS. Biggups to Fred and Recoil for the presence on [ rave.ca ] and keeping the jungle alive. (heart) the trolls! QFT. :D Originally Posted By screwhead
IMO, the problem is that everything has just gotten so incredibly generic. (Aaaaaaaand here we go, everyone gets to gang up and start calling me the second coming of Pol Pot again because I'm not following the unspoken "you're not allowed to voice an opinion about anything, anyone, any party or any night in "the scene" unless you're stroking the egos of those involved like a 16 year old at her first party on her first hit of E" rule, so if you can't handle criticism without freaking out like Jessi Slaughter, just skip this post and keep living in your little dream world where everyone unconditionally thinks you're awesome and talented just like your mom always used to tell you) How many DnB DJs play anything different? For the most part, there are three kinds of DnB that everyone in the city sticks to: 1: Sounds Like Pendulum/Subfocus/Camo & Krooked/The Quemist/Concord Dawn/Ill Skillz/Chase & Status 2: Sounds like TC/Clipz/Dillinja/Distorted Minds/Twisted Individual/Roni Size 3: Sounds like Ed Rush & Optical/Phace/Noisia/Calyx/Teebee/Dom & Roland/C4C Despite there being a ton of DnB DJs, you're raaaaaaaaaaarely ever going to hear anything outside those three. I can't think of anyone that plays any liquid funk anymore, I'm the only one that plays skullstep, my brother is the only person I've heard in ages play that dark, minimal, not-over-produced 1998-sounding stuff.. Occasionally someone will dig into their crate and play some Ragga/jungle.. But that's it! 99% of the time, all you're going to hear when it comes to DnB is one of the three aforementioned categories; nothing but a string of dancefloor smashers that sound exactly the same: And the same thing applies to breaks/electro; I mean really, other than Bliss, is there any breaks/electro DJ in the whole city that DOESN'T play only sets that sound like a meddly of Deekline and Freestylers? You know, that breaks sound that sounds exactly like Pendulum at 130bpm instead of 174. 200Hz white-noise snare, sidechained bass/lead that ducks the kick.. Everything has become so incredibly generic when it comes to most of the breaks and DnB DJs in the city that it's not really worth booking them, or more than one of them, because all you're going to get are sets that sound exactly the same as each other. And, also (you can all rejoice now, the moment you've all been waiting for) there's dubstep now that's stepped in. 2002-2006-ish there was DnB and breaks everywhere: Every thursday at Saph, every friday at Blue Dog, parties on friday or saturday night every single weekend, IDJ monthly with good headliners every month and every 4-6 months a major name.. There was a saturation that back then, just like now there's a saturation of dubstep; it's the Next Hot Thing, it draws a crowd, so now instead of a DnB/breaks room at every party, there's a dubstep room. In multi-genre party lineups where you would normaly have seen DnB DJ, now it's a dubstep DJ. And, much as everyone always gives me shit for it, despite the fact that it is simply my opinion, dubstep is currently falling into the same kind of 3-style niche as DnB: 1 - stuff that's spacey, mellow, with a deep bass, more DUB than STEP 2 - stuff that's dark, hard and aggressive, like Noisia or Black Sun Empire at 140bpm 3 - midrange wobble a-la Rusko and Caspa; music that sounds like it was made by people who idolize Ali G and the gangsta-thug-chav lifestyle So what do the masses of people in the average "urban" scene consist of? Is it: People who want to smoke a joint, sit in the corner and chill? People who are into dark, hard music, horror movies, industrial and metal? Or is it people who are into the whole "urban" thing; being an urban soldja, baggy pants, hiphop-without-being-a-gangsta-thug-but-I-still-smoke-my-weed-every-day-and-run-these-streets? And what are the majority going to want to listen to? Slow, mellow, DUBstep? Music that's dark, hard and aggresive? Or music that has an 'I'm so 'ard mate' British gangsta vibe, where they can show off their awesome new fitted caps, hoodies and baggy pants? because like you said Charlie; on a slow night, now, there's 100 people. but do ALL those people listen to a variety of electronic music and go out to raves on the regular? Or are they there because the just heard some Dubstep at Picnik and that means that it must be good if it's playing in such a mainstream environment? Ok, so we don't have dubstep on the radio over here yet, but Snoop is putting together a dubstep mixtape with rap MCs over dubstep beats.. Chase and Status are producing for Britney (and I think Rob Swire of Pendulum already has).. While the stuff that's going to come out of that is probably not going to be typical dubstep, it's going to have the same kinds of sounds and production values.. And since it's been announced, the people who follow those artists (snoop/britney) are obviously going to be looking into what these producers are known for, which means a new influx of people, which is good, but it's an influx of the 'mainstream' crowd, which is good if you want to make a ton of money, but not good if you want to play something that isn't the cheezy wannabe-thug sound they want to hear.. When it comes to multi-genre parties, there's also the problem of promoters not having a fucking clue how to organize a lineup, and DJ egos getting in the way of a proper progression. I can think of at least three people off the top of my head that have booked me for a party and then asked me around when I'd like to play, because 3/4 of the DJs on the lineup are all demanding to play at a particular time or they aren't accepting the booking, then being totally surprised and freaked out that I tell them to put me where they think I'd fit best in the progression. Egos like that and promoters without the balls to put their foot down and say "This is my party, this is your time slot" end up with a lineup that looks like this: 10:00 - Promoter's best friend that just started mixing two months ago 11:00 - high-energy 160-190bpm DJ 12:00 - 135bpm high-energy electro/breaks 01:00 - high-energy uplifting 160-190bpm DJ 02:00 - high-energy dark/evil/hard 160-190bpm DJ 03:00 - psytrance 04:00 - happy hardcore 05:00 - 135bpm high-energy electro/breaks 06:00 - dubstep 07:00 - high-energy DnB 08:00 and on - more of the promoter's best friend that just started mixing two months ago No sign of a logical progression, just throwing people together at the time the DJ wants based on how badly the promoter wants them to play the party and how much of an over-inflated ego they have. But to get back to the main topic of "Why isn't there more breaks and DnB at raves": Change shit up! Evolve! Stop playing the exact same Beatport Top 10 Artists' tunes, do sets that go all over the place and don't stick to one subgenre of DnB/breaks. In your case, do more sets where you mix some Freeform with the DnB, throw in some tunes that slow down for a breakdown and drop in some breaks or dubstep into your set, get to scratching some more (who the fuck does that anymore?).. You've got Serato, so you don't need to crate-dig to get records out; get a ton of acapellas and lay them over tunes - your next tune is only a click/button-press away so you can ride that out. If DnB is going to make it's presence known again, it's got to step up it's game. The DJs have to start thinking outside of the "I'm going to play nothing but the safe, established dancefloor smashers that everyone else plays" box. Sure, it works for Andy C, but because of that, EVERYONE is trying to sound like that when they mix! Less generic sets, bring something new to the table, do something no one else does, mix something no one else does.. Stagnation will be the death of the music. Some really good points in there, I have to agree. Won't itemize point-by-point, but that's a well-put, thorough opinion. But you know, Fred, and PLEASE take this as a constructive rebuttal... You seem to forget that DJs play, or should play, mainly for the crowd. You can't bash on a DJ for wanting to play a dancefloor-friendly tune or a popular anthem if it elicits a crowd response. Not that a DJ shouldn't try to enlighten peeps by throwing down less well-known tunes, and to be honest, that's usually how I discover new tunes/artists. Hells, I'll be the first to be a bit annoyed when a DJ plays only safe/overplayed tunes. Still, most of my fave local DJs these days know how to keep me on my toes. ... So yeah, me and DJ Shao (new kid, though lotsa potential as producer, mixing up genres from DnB to dubstep to breakcore in his tunes) were wondering, looking at a Passeport poster... What the heck is skullstep? :) Update » Masa wrote on Thu Jul 22, 2010 @ 12:25pm *cough* Oh, and Wally played Rusko's Hold On yesterday :p *cough* |
| I'm feeling 1up right now.. | |
| Good [+1]Toggle ReplyLink» Rakoon replied on Thu Jul 22, 2010 @ 1:13pm |
 Coolness: 175425 | '' ... I can't think of anyone that plays any liquid funk anymore ... ''
:'( |
| I'm feeling new app! right now.. | |
| Good [+1]Toggle ReplyLink» LeChat replied on Thu Jul 22, 2010 @ 1:14pm |
 Coolness: 115520 | ben non nicko, personne pense a toi. |
| I'm feeling time for change right now.. | |
| Good [+1]Toggle ReplyLink» rawali replied on Thu Jul 22, 2010 @ 1:27pm |
| Coolness: 140670 | yeah, I played the subfocus remix... to be honnest I dont get to caught up trying to find something revolutionary to play... I just play tunes that I love is all. hold on is no exception, I must have listened to it like 20 times since I got it (yesterday) |
| I'm feeling risk 2nite@passeport right now.. | |
| Good [+1]Toggle ReplyLink» Masa replied on Thu Jul 22, 2010 @ 1:56pm |
| Coolness: 158755 | Originally Posted By RAWALI
yeah, I played the subfocus remix... to be honnest I dont get to caught up trying to find something revolutionary to play... I just play tunes that I love is all. hold on is no exception, I must have listened to it like 20 times since I got it (yesterday) Mwahaha, no complaint from me, really, was just trying to make a counterpoint :) ... I did call it cheezy yesterday, and I personally like Poirier's refix myself, but.. Yeah. You're one of the local DJs I consistently like listening/dancing to, so... Keep doing what you do :) |
| I'm feeling 1up right now.. | |
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