Festival Kinetik - Electro.industriel.noise.hardcore - 15.16.17 Mai 08
| Good [+2]Toggle ReplyLink» satronica replied on Tue Dec 18, 2007 @ 10:28pm |
 Coolness: 39430 | Originally Posted By FISHEAD
Just for that I'm gonna see if I can get some made... Oh snap... now we KNOW this party's selling out! |
| Good [+1]Toggle ReplyLink» ka0tik replied on Tue Dec 18, 2007 @ 11:19pm |
 Coolness: 52685 | fishead go to meow on mt-royal... they do print custom penties :P |
| I'm feeling coco locos right now.. | |
| Good [+2]Toggle ReplyLink» fishead replied on Tue Dec 18, 2007 @ 11:43pm |
 Coolness: 75660 | Originally Posted By KA0TIK
fishead go to meow on mt-royal... they do print custom penties :P I'm pretty sure someone else will tell you this... but really... that's not the sort of thing you should tell me about. No possible good can come of it. |
| Good [+2]Toggle ReplyLink» JasonBeastly replied on Wed Dec 19, 2007 @ 12:59am |
 Coolness: 76700 | Colin + panties = retinal damage. |
| I'm feeling boognish right now.. | |
| Good [+1]Toggle ReplyLink» Holly_Golightly replied on Thu Dec 20, 2007 @ 8:28am |
 Coolness: 158725 | bump! ;P |
| I'm feeling hitched right now.. | |
| Good [+1]Toggle ReplyLink» ka0tik replied on Fri Dec 28, 2007 @ 11:19am |
| Coolness: 52685 | tickets are inn will try to go pass them in stores this week end and They should be in Quebec next week
Kao ;) Update » ka0tik wrote on Sat Dec 29, 2007 @ 9:17pm les billets sont maintenant en vente au Psychonaut, Cruella et Platine (des la semaine prochaine) en plus de sur le site web du festival et sur admission (plus chere ici a cause des frais...)
The tickets are now available at Psychonaut, Cruella and Platine (starting next week) in addition of the festival website and on admission (more expensif because of the fee) voici la liste des prix... ca laire gros.. mais penser a 4 evenement en 3 jours avec 31 groupes/djs :) here the prices... they look expensif... but think of 4 events on 3 days with 31 bands and djs :) festival online stroe: [ www.festival-kinetik.net ] Prix billets du Festival :: -Jeudi 15 mai // Phase 1 // Electro // Usine C dec - 21 Janv 40$ / 22 Janv - 22 Mars 45$ / 23 Mars - Festival $50 -Vendredi 16 mai // Phase 2 // Indust // Usine C dec - 21 Janv 45$ / 22 Janv - 22 Mars 50$ / 23 Mars - Festival $55 -Samedi 17 mai // Phase 3 // Noise // Usine C dec - 21 Janv 45$ / 22 Janv - 22 Mars 50$ / 23 Mars - Festival $55 -Samedi 17 mai // Phase 4 // Hardcore // T.S.F. dec - 21 Janv 25$ / 22 Janv - 22 Mars 30$ / 23 Mars - Festival $35 Prix passes festival (pour aller a plusieur soiree a moindre cout) :: -Dimond pass / pour le jeudi,vendredi, samedi et samedi rave, avec un t-shirt du festival et une passe special edition. (seulement disponible sur le site web du festival) dec - 21 Janv 155$ / 22 Janv - 22 Mars 180$ / 23 Mars - Festival Non disponible (reviens a 32$ par soiree plus tshirt) -Platinum pass / pour le jeudi,vendredi, samedi. dec - 21 Janv 100$ / 22 Janv - 22 Mars 125$ / 23 Mars - Festival 150$ (reviens a 33$ par soiree) -Gold pass / pour le vendredi, samedi et samedi rave. dec - 21 Janv 90$ / 22 Janv - 22 Mars 115$ / 23 Mars - Festival 130$ (reviens a 30$ par soiree) -Silver pass / pour le vendredi, samedi. dec - 21 Janv 80$ / 22 Janv - 22 Mars 90$ / 23 Mars - Festival 100$ (reviens a 39$ par soiree) -Bronze pass / pour le samedi et samedi rave. dec - 21 Janv 60$ / 22 Janv - 22 Mars 70$ / 23 Mars - Festival 80$ (reviens a 30$ par soiree) Festival Tickets Prices :: -Thursday may 15 // Phase 1 // Electro // Usine C dec - Jan 21 40$ / Jan 22 - March 22 45$ / March 23 - Festival $50 -Friday may 16 // Phase 2 // Indust // Usine C dec - Jan 21 45$ / Jan 22 - March 22 50$ / March 23 - Festival $55 -Saturday May 17 // Phase 3 // Noise // Usine C dec - Jan 21 45$ / Jan 22 - March 22 50$ / March 23 - Festival $55 -Saturday May 17// Phase 4 // Hardcore // T.S.F. dec - Jan 21 25$ / Jan 22 - March 22 30$ / March 23 - Festival $35 Festival Passes prices (to go to multiple nights and save on tickets prices) :: -Dimond pass / for the thursday, friday, saturday and saturday rave, with a tshirt and a special week end pass. (only available on kinetik website) dec - Jan 21 155$ / Jan 22 - March 22 180$ / March 23 - Festival ND (come to 32$ per night plus tshirt) -Platinum pass / for the thursday, friday, saturday. dec - Jan 21 100$ / Jan 22 - March 22 125$ / March 23 - Festival 150$ (come to 33$ per night) -Gold pass / for the friday, saturday and saturday rave. dec - Jan 21 90$ / Jan 22 - March 22 115$ / March 23 - Festival 130$ (come to 30$ per night) -Silver pass / for the friday and saturday. dec - Jan 21 80$ / Jan 22 - March 22 90$ / March 23 - Festival 100$ (come to 39$ per night) -Bronze pass / for the saturday and saturday rave. dec - Jan 21 60$ / Jan 22 - March 22 70$ / March 23 - Festival 80$ (come to 30$ per night) Pour ceux qui veulent aller a la phase 3 (noise avec Sonar, This Morn' omina, Xotox Terrorfakt+++) et a la phase 4 il y aura un service de navette offert a 3h am de l'Usine C vers le Theatre Sans Fil (vous allez arriver avant les gros headliners) A special bus ride will be available at 3h00 am at Usine C to go directly to Theatre Sans Fil on Saturday night. It will be important to be on time at the departure point, there will be only one departure for this special bus ride at 3h00 am exactly. For the people that will have use this service, a return ride will be available at 9h00 am from the Theatre Sans Fil to downtown Montreal near Saint-Catherine and Berri corner. It's important to reserve this service in advance, this bus ride will only be available for the people that will have taken advance reservation! |
| I'm feeling coco locos right now.. | |
| Good [+1]Toggle ReplyLink» Holly_Golightly replied on Sun Dec 30, 2007 @ 12:57am |
| Coolness: 158725 | allez acheter vos billets!!! go buy your tickets!!! this show is serious bizness! ca va passer a l'histoire! be there or be square like na would say hehe ;p( Phase 1 / Thursday May 15 2008/ Electro / with The Horrorist and Ascii_Disko
Nitzer Ebb (pronounced night-zer or nit-zer—the band themselves pronounce it either way) is a music group formed in 1982 by Essex schoolfriends Douglas McCarthy (vocals, synthesizer), Vaughan (Bon) Harris on synthesizers and drums, and David Gooday. Beginnings-Basic Pain Procedure (1983) Nitzer Ebb began when Douglas McCarthy met Bon Harris. They shared an interest in witchcraft, talking to trees, and collecting runstones in Chesterfield and Little Baddoe, England. They found inspiration in the punk ethos of bands such as DAF, Killing Joke, and Bauhaus. In August 1983, they recorded their first demo tape, Basic Pain Procedure. This rare demo tape included eight songs. (Faded Smiles; Tradition; The Home; Star; The Pass; The Book; Crane; Trust Ran In Colours) The trio began with shows in small local venues, but their arresting stage presence, military image and energy garnered a growing base of followers and soon led to appearances in larger clubs and concert venues. Combining the energy of punk with the electronic pulse of DAF, they released their debut single "Isn't It Funny How Your Body Works" on 7 January, 1985 on their own label Power Of Voice Communications, and their music soon became a fixture on the club scene. A double 'A' side single, "Warsaw Ghetto"/"So Bright So Strong", followed in 1985 to similar critical and dancefloor acclaim. Two further releases, "Let Your Body Learn"/"Get Clean" and "Murderous" were released on Power Of Voice Communications before they signed to Mute Records. That Total Age (1987) In May 1987, they released their debut album on Mute Records, That Total Age, which spawned a hit with the pounding bass rhythms and barked vocals of "Join In the Chant" and "Let Your Body Learn". Both tracks found favour with the Euro club scene and the nascent Balearic Beat movement. Belief (1989) In 1988, Doug and Bon set out to record "the perfect electronic album", resulting in the LP Belief. Preceded by the classic club track 'Control I'm Here', their second album, Belief, was released in 1989 and was co-produced by Flood (Depeche Mode, U2),who went on to produce their next 3 albums and remix other tracks. The band was now down to a core duo of Harris and McCarthy, with Julian Beeston on drumming duty. Two further singles 'Hearts & Minds', and Shame were released in 1989 with extraordinary remixes from Daniel Miller and William Orbit. The band was asked to be the opening act for labelmates' Depeche Mode's Music For The Masses tour (European Leg). Showtime (1990) Showtime, released in 1990, showed the band moving away from 4/4, 130bpm stomping dance tracks and explored other musical forms - jazz, rock, blues - whilst still sounding like Nitzer Ebb. First single, "Lightning Man", became a dancefloor anthem with its jazzy oboe figure and Doug's menacing vocals. The song is generally recognized as experimental and pushed the boundaries of 'industrial' music at the time. Nitzer Ebb had also found favour with labelmates and international pop heavyweights Depeche Mode, who invited them on their European tour in 1988, and in 1990, opening on the World Violation Tour in the US. Depeche Mode were frequently seen sporting Nitzer Ebb T-shirts around this period, most notably in their Enjoy the Silence video. As Is/Ebbhead (1991) Exposure to large stadium crowds and the intensity of the whole rock and roll business provided a stimulus for the group to start to develop a more rock-oriented sound to their razor-sharp electronic dance music, and 1991's As Is EP (produced by Killing Joke's Jaz Coleman, Flood, Depeche Mode's Alan Wilder, and Barry Adamson) saw the band adopt a more traditional song writing approach, and paved the way for the aforementioned Ebbhead. Ebbhead was released in September 1991 and showcased a new confidence in the band's songwriting and production (ably assisted by Flood and Alan Wilder), while the single I Give to You was a sweeping orchestral introduction to the band's new grand ideas. Two further singles, Godhead, and Ascend, combined sampled guitar riffs, throbbing analogue synths, and anthemic chorus'. A hugely successful world tour from Autumn 1991 to Summer 1992 spanning the US, Europe and Russia hinted that the band could potentially break into the mainstream and become a bona fide 'crossover' act. Big Hit (1995) This wasn't to be. The momentum, progress and optimism built up around Ebbhead was slowly erdoded by the band's (very expensive) 3 years recording the follow up album,Big Hit (drummers were sacked, producers changed etc). During this period a schism between Harris and McCarthy began to develop, and the writing was on the wall. In short, the band took far too long, and then failed to deliver the album required to elevate them to the level that was promised. And that was that. The subsequent world tour saw a new live set-up with Harris on bass, Mccarthy on guitar, Jason Payne on drums, and John Napier on guitar and percussion. Whilst still an energetic and involving live act, the shows didn't seem to benefit from either 'real' instruments or more musicians on stage, and the arresting visual dynamics of past tours were compromised in favour of a 'traditional' set up. The Nitzer Ebb machine ground to a halt towards the end of the Big Hit tour (final dates were advertised then cancelled). Although the group never officially split, Mccarthy and Harris both went their separate ways. However, the door was effectively left open for Harris and McCarthy to reactivate the band in the future if their differences could be resolved. Recent years Having quietly split, the band's back catalogue began to appear in DJ sets and mix compilations, and their name would appear in interviews with house and techno producers, (which only served to highlight their enduring influence). In recognition of this development NovaMute released a remix series with three 12-inch singles between 2001 and 2004 - Shame/Join in the Chant, Control I'm Here/Let Your Body Learn, and Murderous/Control I'm Here. The remix of Let Your Body Learn was particularly fruitful as it was given a radical overhaul by French techno producer Terence Fixmer which led first to a friendship and then developed into a recording project between Fixmer and Douglas McCarthy, called simply Fixmer/McCarthy. Live performances (with just a mic and a Mac) around the world followed, which included new versions of Nitzer Ebb songs. This also led to an album released as Fixmer/McCarthy, entitled Between the Devil.... In late 2005, it was announced that McCarthy and Harris (now residing in the US, and producing/engineering for Marilyn Manson and Billy Corgan) had begun to talk about the possibility of a Nitzer Ebb reunion. 2006 saw Nitzer Ebb tour once more, enlisting the services of drummer Kourtney Klein, and focusing on the more electronic phase of their career, with Mute Records finally releasing the 2 CDs set, Body of Work 1984-1997 in June 2006. A companion piece Body Rework, featuring remixes from cutting edge contemporary techno artists such as Motor, Black Strobe, the Hacker, Derrick May, and Robag Wruhme, further highlighted the interest and respect still shown for this groundbreaking, unique, and highly original electronic outfit. Capitalizing on the success of the 2006 world tour, Nitzer Ebb began work on new material in Los Angeles early in 2007, with their retrospective documentary still in the pipeline. 2007 also saw Nitzer Ebb continue their trend of replacing drummers as Kourtney Klein left the band to be replaced by onetime cohort Jason Payne. A first track, "Once you see", with Depeche Mode songwriter Martin Lee Gore on backing vocals was played in June 2007 by Dave Clarke in his White Noise show on VPRO's 3 Voor 12[1]. This track along with "Payroll" were debuted live as Nitzer Ebb played a handful of shows and festivals in 2007, but it remains to be seen whether they can recapture the innovation and aggression of their early days and take on board the advances in production made by contemporary techno acts influenced by Nitzer Ebb. Influences and legacy Sonically, Nitzer Ebb evoked the sequenced teutonic basslines and barked commands of Virgin-era DAF in their early days, and took the energy of alternative punk rock of bands like Killing Joke and Bauhaus to create a new aesthetic. As they grew in confidence and ability, they began to develop the Nitzer Ebb sound - a blend of unusual analogue trickery, minimal song structure, heavy drum beats and percussion, and Douglas Mccarthy's soulful vocals - either shouted, sung, or spoken. Their sound was captured perfectly in one of their publicity slogans from 1987 -"International Funk Aggression" - as despite being hard and heavy, their tracks were always very danceable. Nitzer Ebb were seen as a totality comprising music, art and culture, manifesting itself as a 'Nitzer Ebb Produkt', which saw all adverts, flyers, record sleeves, letterheads, T-shirts, and other objects all sharing a collective identity that was heavily influenced by Russian Constructivist art, Italian Futurism, totalitarian imagery, and Expressionism. Long time collaborator Simon Grainger was an unofficial member of Nitzer Ebb and responsible for the austere look and feel of this visual aspect of the band, which aimed to provoke reaction, to critique, and even to poke fun at such stern stark powerful imagery. It also refelected perfectly the uncompromising style of the music. In the short term Nitzer Ebb had a clear influence on labelmates, Depeche Mode, with both bands sharing a producer in Flood and (by virtue of his studio role) Alan Wilder, which saw a cross pollination of ideas - a harder edge given to one band and a pop sensibility brought to the other. Compare the intros of Halo and Lightning Man for a demonstration of this. Nitzer Ebb were also a huge influence on Detroit Techno, with Derrick May publicly acknowledging this fact before the band opened last year's Detroit annual electronic music festival. A diverse range of DJs and producers, from Richie Hawtin to Tiga have also acknowledged the influence that Nitzer Ebb have had on their careers. Indeeed, their tracks (usually in their original form) are still heard across the world's more discerning dancefloors, and have been consistently listed in a wide range of DJ's Top 10s throughout the past year in the dance music magazine, Mixmag. [edit] Other Projects In 1989, Nitzer Ebb collaborated with Die Krupps on an updating of their classic Wahre Arbeit Wahrer Lohn single on the Machineries of Joy EP. Having worked with Alan Wilder on 1991's Ebbhead, Douglas Mccarthy returned the favour, appearing on Recoil's 1992 album Bloodline, on the electronic reworking of Faith Healer, the Alex Harvey classic. Mccarthy also appeared on Recoil's Unsound Methods album in 1997, providing vocals for the tracks "Incubus" and "Stalker". Mccarthy appeared with Empirion at 1997's Tribal Gathering (a performance that was broadcast on BBC Radio 1) before embarking on a new career in video production. Since working with Terence Fixmer he has lent his unique vocals to collaborations with Motor, Kloq, Warren Suicide, Client, and Die Krupps on another reworking of Wahre Arbeit Wahrer Lohn. Bon Harris began the Maven project in 2001 in Los Angeles, and has worked with Marilyn Manson, Smashing Pumpkins/Billy Corgan, Bush and Depeche Mode. In 2006, Maven released "Mary" as a 3-song digital bundle including the songs "Candidate", and "Silverbirds". Three additional songs were released via their Myspace player: "In Still Love", "Hard On For Love" (a cover version of Nick Cave and the Bad Seeds featuring Marilyn Manson), and "Jesus, Mary, and Jennifer Louise". The current status of the Maven project is unknown. Discography Albums * That Total Age (1987) * Belief (1989) * Showtime (1990) * Ebbhead (1991) * Big Hit (1995) * Body of Work (2006) * Body Rework (2006) Music videos * Murderous (1987) * Let Your Body Learn (1987) * Control I'm Here (1988) * Hearts and Minds (1989) * Shame (1989) * The Machineries Of Joy (1989) * Lightning Man (1990) * Fun To Be Had (1990) * Family Man (1991) * I Give To You (1991) * Godhead (1992) * Ascend (1992) * Kick It (1995) * I Thought (1995) Control im Here (1988)  |
| I'm feeling hitched right now.. | |
| Good [+1]Toggle ReplyLink» cvxn replied on Sun Dec 30, 2007 @ 1:15pm |
 Coolness: 178635 | ^__^ |
| I'm feeling solstice right now.. | |
| Good [+1]Toggle ReplyLink» ka0tik replied on Sun Dec 30, 2007 @ 3:22pm |
| Coolness: 52685 | hehe full getho 88 ton video Gen :P
most of the bands bio and myspace link can be found on the kinetik website in the artists section [ www.festival-kinetik.net ] |
| I'm feeling coco locos right now.. | |
| Good [+1]Toggle ReplyLink» MistreSS replied on Fri Jan 4, 2008 @ 12:38pm |
 Coolness: 51270 | Javoue que le video ye vraiment getho :P |
| I'm feeling penis astrale right now.. | |
| Good [+1]Toggle ReplyLink» Holly_Golightly replied on Sat Jan 5, 2008 @ 11:13am |
| Coolness: 158725 | hehe |
| I'm feeling hitched right now.. | |
| Good [+1]Toggle ReplyLink» ka0tik replied on Sat Jan 5, 2008 @ 11:41am |
| Coolness: 52685 | d'apres le site de poste canada... les tix sont maintenant rendu a Qc au platine :)
2008/01/03 AM QUEBEC, QC Article livré avec succès au récipiendaire donc tous les billets et passes (exepté pour la diamond) et transport sont maintenant achetable a Qc directement.... have fun :P |
| I'm feeling coco locos right now.. | |
| Good [+1]Toggle ReplyLink» MistreSS replied on Tue Jan 8, 2008 @ 12:58pm |
| Coolness: 51270 | Go GO GO motivation ca vas etre malade |
| I'm feeling penis astrale right now.. | |
| Good [+1]Toggle ReplyLink» ka0tik replied on Tue Jan 8, 2008 @ 5:02pm |
| Coolness: 52685 | 
here we go... some more promo.. and in the same time it's a good eyes pratice :) |
| I'm feeling coco locos right now.. | |
| Good [+1]Toggle ReplyLink» Holly_Golightly replied on Tue Jan 8, 2008 @ 6:19pm |
| Coolness: 158725 | haha c'est vraiment malade quand tu vois tout les noms sur le meme poster o_0
Terrorfakt in Cleveland! |
| I'm feeling hitched right now.. | |
| Good [+1]Toggle ReplyLink» Nathan replied on Tue Jan 8, 2008 @ 7:42pm |
 Coolness: 166535 | Why do I get the feeling I should be seeing a 3D image in that poster..haha..wait, I think I see it, it's not a sailboat ;) , but it looks like a straightjacket...Fuck, this is gonna be insane!
... Seriously, Montreal has been hosting Industrial (etc.) festivals for a few years now, and it just keeps getting bigger each year, world renowned even! Can't wait to see people from around the globe convene in good ol' MTL to listen to a bunch of crazy music. Plus, Dj Producer will finally be in town to play at Phase 4, along with our friends ManuLeMalin and Satronica...(HC all night!) ... |
| Good [+1]Toggle ReplyLink» fishead replied on Tue Jan 8, 2008 @ 8:34pm |
| Coolness: 75660 | this is going to PWN! |
| Good [+1]Toggle ReplyLink» ka0tik replied on Tue Jan 8, 2008 @ 11:23pm |
| Coolness: 52685 | hehe thats a old terrorfakt video... i think Ben stoped to use those mask 4 years ago.... to hot hehe |
| I'm feeling coco locos right now.. | |
| Good [+1]Toggle ReplyLink» Holly_Golightly replied on Wed Jan 9, 2008 @ 9:59am |
| Coolness: 158725 | Originally Posted By NA
..haha..wait, I think I see it, it's not a sailboat ;) ... hahaaha mallrats memories! :) we gonna try to go to all the shows that's for sure. |
| I'm feeling hitched right now.. | |
| Good [+1]Toggle ReplyLink» MistreSS replied on Fri Jan 11, 2008 @ 8:17pm |
| Coolness: 51270 | For those who want to get cheaper tix hurry you have till the 21 of jan before the tix go up :P |
| I'm feeling penis astrale right now.. | |
Festival Kinetik - Electro.industriel.noise.hardcore - 15.16.17 Mai 08
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