Yeah, and there's no point in throwing parties for them, unless you're working for an afterhour, or can afford to throw something as big as the bal en blanc. They already have plenty of places to go, and I've heard those places get less attendance every month.

Agace

J'ai hate d'écouter sa

The venue will be announced soon.

Autre détail, les négociations que tu as avec des artistes, peut importe si sa marche ou pas, sa regarde juste toi et eux. Les gars dont tu parles postent ici, leurs amis aussi. C'est le genre d'histoire dont personne ne profite a savoir.

Promotion 101.

Si tu fais ton billet moins cher, plus de gens vont venir. Aussi, si le monde chiale, il doit y avoir une raison. Apprend a connaître la scène avant de te lancer dans la promotion. Tu veux travailler pour les afters? Vérifie si y'en a un qui cherche des promoteurs. Si tu veux faire dans l'underground, commence a te tenir dans les partys underground, et apprend a connaître le monde. Je dirai que sa prend au moins 2 ans sur la scène avant de te lancer dans l'organisation.

Aussi, accepte la critique, c'est normal que le monde bitch sur les forums, faut t'y habituer. Au lieu de chialer, demande toi pourquoi le monde chialent, et améliore ton produit en conséquence. Perd pas ton temps a demander aux gent d'être constructifs, sa arriveras pas. Le monde vont pas venir a ton party parce que tu commences et tu demande de l'encouragement. Le monde vont venir parce qu'ils veulent un évènement de qualité. Choisis quelle crowd tu vise, et focus sur cette crowd là. Si tu vises une crowd d'after, oublie [ rave.ca ] Le monde ici trippent généralement underground.

T'as l'air de vouloir gagner le monde qui postent ici a tout prix, c'est pas comme sa que tu vas réussir. Il faut plus que booker Toltech pour avoir un évènement de qualité, même si Carlos est un excellent dj. Va dans les partys, écoute des djs, download des demos, demande aux gens quels djs ils aiment. Un bon concept qui accroche, sa aide aussi. Honnêtement, rave vs after, sa sonne comme un clash entre deux crowd qui fittent juste pas ensemble. Dis toi qu'il y a plein d'évènements a tous les soirs, à Montréal. Même si c'est pas des raves, demande toi pourquoi les gens iraient a ton party plutôt qu'à un autre. Aussi, plus le billet coûte cher, plus sa prend une bonne raison pour que le monde sortent.

Donc, si tu veux faire un party de locaux, pas plus que 15$ à la porte.
Vise une crowd, et assure toi que plus que la moitié de ton line-up est bien connu de cette crowd.
Apprend a connaître la scène, et a te faire connaître avant d'organiser un évènement.
Développe un bon concept qui va faire tripper les gens.
Accepte la critique, et ait pas l'air de trop de prendre au serieux.
Laisse tes problèmes personnels chez vous, le monde veulent lire sur le party, pas sur toi.

Excellent, j'ai vraiment hâte d'entendre ca. :D

*grabs popcorn*

nice

I need a ride for me + another person. We can pitch in some gaz money. Send me a PM :)

all new stuff from the Luna-C!

Hip hop et rave underground?

Awesome, downloading now. Thanks

Here are the timeslots

The Warehouse

11h Sarcastic
1h Indica
3h Frankie Bones
5h Philgood
7h Mana 7


The Church Basement

11h Metzen
12h Matricks
1h Tipsy T
2h Don Louis
3h Merkurius
4h Mad
5h Tamerax
6h Matduke
7h Rhys Taylor
8h Psonyk

Repost, but yeah, it is a good site :)

I'm actually 3 persons at the same time

here's the flyer

Y'en veut un autre, pauvre petit.

Wicked, I'll be there

pfft, alone, non of you stand a chance!

Awesome night, big ups Corey and everyone else involved in this.

and here's Frankie Bones in a limo with Keoki and Micro

C'est probablement Matduke qui a édité le premier post, il a une fixation sur les pénis.

haha, just in case someone really doesn't know, and didn't check the first page ;)

woah, that's nice

*waits for someone to mention their wet dreams*

Fuck la drogue.

Moi, sois je bois, sois je reste totallement a jeun.

Don't drink and drive, you might spill your beer!

Frankie Bones

Frankie Bones, often termed the "Godfather" of the rave scene, has spent more than two-thirds of his life devoted to electronic music. He got a start earlier than most; at only eleven years of age Bones had what he deems his first true experience in ‘clubbing.’ Every Saturday from that fateful day in May 1978 until 1982, Bones went to Roll-A-Palace, a rollerskating rink in Brooklyn with a dancefloor and "forward thinking" DJs, as he puts it. "There he learned the basic concepts of how to format music from being a regular patron on a weekly basis." By the summer of 1979, at the age of twelve, Bones had already wired two turntables to the same stereo to enable him to start the next record while the one playing faded out. "My father found a box called a 1-4 Audio splitter which was a mixer with four slides marked Audio 1-4 and that was it. The art of mixing came by accident when I took two 45s of "Good Times" and extended the chorus. My BSR turntables had no pitch control so matching the beat of the same song was easy."

His legendary STORMraves in Brooklyn in the ‘90s have earned him the reputation as a pioneer of rave culture. "Frankie Bones introduced raves…to the east coast by throwing a series of big underground parties. They were known as the STORMraves. Many promotors give Bones credit as the founding father of raves in America. It was at one of these Storm Raves that Bones gave a very important speech after one of his very powerful sets. He explained what the scene was about and why he had brought it to NY: peace, love, unity, and respect. When he finished everybody in the warehouse waved their hands in the air in complete unity. For many it was the most beautiful speech anyone has ever heard," says one attendee. From Prodigy to LTJ Bukem to Carl Cox, some of the best talent to emerge in the global scene has attributed Bones as an inspiration. Playing cutting edge music without gimmicks or limitations, Bones does not follow trends or try to create them. "I do not go for a look or a style," he says. "Fashion goes in and out of style; passion and dedication never go out of style. I cannot scratch like DJ Craze, cut like Bad Boy Bill, have major backing like Paul Oakenfold or rap like Run DMC, yet every time I start where they finish the crowd response equals or surpasses… How? Why? It is quite simple: I love what I do and I have loved what I have been doing."

[ www.eastmusicgroup.com ]

And here's a wiki link [ en.wikipedia.org ]

Tickets are at psychonaut and mood audio

oops, je devrai pas poster sur ravewave sans avoir dormi, lol

Tickets are now at Psychonaut and Moog Audio, they're also available through me, Don Louis and Sarcastic.

Ouais, sont nice. Sa fait oldschool :)

Carlos, c'est la plus belle de toutes!

I got the tix, I'll bring them to the sale points tomorrow

T'es belle, Thierry

C'est exactement ce que je me disais la fois où j'y ai été.

En passant, quelqu'un a des pics de Thierry en candy?

Cool idea, August might be a little bit soon though.

Cool