Vous souvenez-vous, quand on attendait dans la file dehors pendant un temps fou et qu'on entendait juste la bass étouffée du party en dedans? Moi, j'avais même pas pris ma drogue encore (je la prenais en mettant les pieds sur le dance floor, c'était mon rituel) et j'avais des papillons dans le ventre juste a imaginer toutes les aventures qui m'attendaient a l'intérieur. J'suis nostalgique.

That sure will never happen again. Virginie Coosa qui parle du rave de l'été en annonçant qu'Adam Beyer est a Bouge De La dans quelques instants. Ensuite, Iznogood met 1998 de Binary Finary et tout le monde s'entend pour dire que tout ça est au top de la montagne du cool. Incroyable de revoir ça en 2013.

On s'entend que la musique n'a pas tres bien vieilli.

Thierry a toujours le post juste

D'ailleurs, ce jeune raver déchaîné manque sur ce thread

C'est juste un temporary takeover from the past

[ ravearchive.com ]

By the way. Plus de 200 mixtapes de raves des années 90 ont été sauvés ici

Hello? I pay my tracks, I put the fucking time to learn to mix, I buy gear, I promote my crew as hard as I can. I fucking love music. It's pure passion. So, you understand that I need to get paid in order to make the whole thing work! When you come to a 64hz party, there is a good soundsystem, there is a good venue, there is security, it's not overcrowded, it's quality, it costs a fee and it doesn't lose money because it needs money to roll! And everyone gets paid! So the tickets are not 5$ either and, (drumroll), pretty much everyone is happy with our events, that we throw now and then since 2007. No drama. No bullshit. No crap.

When I played Eclipse, I was paid. I'll play there again. If I play St-Jean Bassiste, I know they'll pay me for my performance because that's how it works. I need fucking money to buy the tracks and gear so I can make some more. That's how a scene lives and thrives. At the first Totem I got 90$ and free entrance just for a damn door shift. That is called profesionnalism. It includes that you book good artists and show them some money (not that much. Strike a deal with me. I'm down for playing for 50$, even less, but I'm not a musical bitch that will just throw my time and money in the hope of playing for free just for ''love'')

I played Pandemonium last year and I had to fucking pay a bus trip ticket to get there and NEVER SAW A PENNY. This is how a scene dies. I'll never play those shady parties again. I know I'm just some local, barely visible techno DJ, so the fact that I'll never play there doesn't have any impact, but soon enough other artists will get fed up and leave. What will be left is poor quality. People who will just get there and do anything with the sound.

I am fucking dedicated to this music thing! Just because someone throws a huge party with massive overbooking doesn't mean that everyone should just get there and work\play for free just because they love it. Good luck with keeping that scene alive because it will be all eaten up by shady promoters that actually do it for their own goddamn image if nobody starts doing things properly.

If the promoter makes money, he can throw more parties. He pays the artists. They can buy more gear\music and make more music that you will want to hear. You got to water the flower if you don't just want it to die in an ocean of stupidity.

Been there, done that! Would you work for free just because you love your job? Well, not me.

In other news, why do psytrance parties are a ''money loser''? Overbooking, fuck! When you see 36 headliners in an event held in a forest near Montreal, Canada I think you can safely assume it's going to lose a damn good chunk of money! Maybe if the megalomania was tuned down a little...

Quelqu'un a-t-il encore ses fur pants?

That's the spirit, haha!

I though nodelesucks was a troll. I am disappoint.

I've been feeling nodeletesucks' mother since around 1996. She's a hot mama.

Pis toi, tu feel gleeful depuis quelle année, Niji?

It's happening!

Elle joue aux bonhommes

Ouais, moi aussi j'étais un ptit candy kid mais j'ai été warpé dans cet univers mongole quand les motards prenaient de la E avec nous dans tous les coins de partys. Yen avait partout a Intense 1! Mais PLUR, you know. No one cared then, no one cares now. C'est la beauté de la chose, haha.

Moi, j'étais a Québec, yo. Real hardcore shit.

Tu sais que tu es dans un rave quand un motard se fait sucer par une danseuse a côté d'un motton de monde sur la E qui se massent en gémissant sur le sol juste a côté de toi, en fur pants, qui danse ta vie sur un set constitués de trainwrecks compulsifs comme si jamais plus rien d'autre n'allait exister.

Revive!

I come here every once and then to see a new lolcow post insanities. This forum is some kind of mental abyss sucking us all in.

That book should actually exist.

Well, there are actually a lot of venues. Last year we started looking in october to throw our NYE party and found a few ones almost instantly and we were late on the boat. There are a few great ones, some cool ones and a whole lot of ghetto ones. Your best asset is the phone call. Scout.

Baha. I destroyed all the visual evidence. No one can prove that I was a candy for years.

Abonnons-nous et attendons l'assaut frontal de l'empire financier tentaculaire du mal contre Mega. Ils vont le tuer, comme les autres têtes de l'hydre avant. Sauf que ça, c'est vraiment irrévérencieux et plus que baveux. Bravo. Je m'abonne.

I know. It's as terrible as the power of the rave. The whole thing is a loose end. But at 15 yo (the age I was when this was created), I was basically a crazy rave fanatic, a crazy sectarist that could not even conceive that anything related to being a (candy or not) raver could be nothing but the best thing ever. So there I was, firmly believing this was the coolest underground rave movie in existence.

I watched it entirely, so consider me punished for that.

Wtf. Really? I mean, I understand that it's real but... Really?

Short Circuit 1. I was so obsessed with, I knew every word by heart. My mom threw it away one night and tolcd her 5yo kid that it was stolen. It was either that or killing herself.

We got side-tracked somehow. Let's try to concentrate on the children.

Stop crushing the American dream and thing about how magical Christmas is.

Let's live under the law of the cake

Merci de ton commentaire! Chaque fois qu'on me booke dans un événement psy, j'ai une peur irrationnelle que le monde me garrochent des tomates ;) Bien content que tu l'aies aimé, je n'avais jamais mixé de techno a 120 BPM avant cette fois et ça faisait un bout que je voulais le faire, les tracks sont plus crunchy. C'était la bonne heure pour ça, en tout cas.

Il est sur Mixcloud au cas ou ça t'intéresserait.

[ www.mixcloud.com ]

Yes. In a rave with Moby and Orbital. Montreal's electronic scene was strong in the paleolithic era before the great desertification.

[ www.rave.ca ]

Techno at Eclipse 2012, the video proof

Kevin Saunderson, Stacey Pullen, Derrick May@Théâtre Telus avant-hier, c'était proper comme techno. Très solide musique sauf Derrick May qui l'a échappé a la fin: shit happens.

[


Festival Eclipse parce que c'est toujours mongole même pour les psy haters comme moi. Cette année...wow.

En résumé:


Et ici avec plus de filles et la preuve qu'il y a eu quand même du pas pire techno sur le main stage.

Nuclear rocket launchers

Okay so let's be on the lookout. Some girl got to be named Hate.

Tu n'es pas non plus une lumière, apparemment.

Someone once told me that a cake was a dessert and that it could be chocolate flavored two times but they failed to mention that it was also a downer-upper mix. My health needs this. But is it just the weird hard drugs mix or is it also a dessert that can have different flavors? Am I making any sense? Please, girls, help me. I want some caaaaake

[ www.explosm.net ]